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Cerro Sechin, Ancash, Peru

Cerro Sechín (also Sechín de las Estelas) is an archaeological site in Casma Province of Ancash Region in northern Peru.

Dating to 1600 BCE, the site was the capital of an entire culture, now known as the Casma/Sechin culture or Sechin complex.

Notable features include megalithic architecture with carved figures in bas-relief, which graphically dramatize human sacrifices. The slabs at Cerro Sechin may represent the central Andes' oldest known monumental sculpture.

There is a small on-site museum.

Information poster of the Sechin archaeological complex
Cerro Sechín sits on a granitic hill, in the Casma Valley.

  • It is located 1 kilometre (0.62 mi) east of the Pan-American Highway, 5 kilometres (3.1 mi) from the provincial capital of Casma and 168 miles (270 km) north of Lima. It is situated 13 kilometres (8.1 mi) from the Pacific Ocean, near the confluence of the Sechin and Moxeke Rivers at an altitude of 90 metres (300 ft) above sea level.

Main building

Panorama of the main building
The main building is 51 square metres (550 sq ft) and 4 metres (13 ft) in height.

  • Though roofs no longer survive, their design is evidenced on pottery vessels.
  • The temple, rectangular in design with rounded corner, was constructed of conical adobes; its entrance is on the north side.
  • Its perimeter wall of monoliths or stelae is of earlier construction.
  • A double staircase, about 1.2 m (4 ft) high, leads to the top.

Engravings of the northeast corner of the main building
The most striking feature of the stone building is its lithic block facade decorated with reliefs representing "warrior-priests" and mutilated bodies.

  • The etched bas-reliefs number approximately 300, from axe-wielding warriors, to body parts, and victims, who are decapitated and mutilated.
  • The characters are of two types: the warrior-priests (wearing a weapon or scepter) and dismembered victims or their offal (mainly heads, limbs, eyes skewered, intestines, vertebrae and viscera).
  • These figures represent humans and demigods, without the presence of animals.

Left side of the north facade of the main building


Engravings on the left side of the north facade of the main building


Entrance to the main building


Engravings on the right side of the north facade of the main building


Lithosculptures of the main building of Cerro Sechin
The scenes depicted on the front are quite symmetrical, repeating themselves on both sides of the door.


Distribution of engravings around the main building
The designs of the lithosculptures have allowed researchers to generate hypotheses about the advanced knowledge of human anatomy through vivisection, the knowledge of organic systems such as the digestive system, blood circulation and even certain pathologies that show their concern for the study of man and with it the bases of human medicine 3,800 years ago.


Interpretation of the engravings

  • Left engraving - Main character, he carries a club and from his more elaborate outfit hangs four trophy heads and his plume or cap has a sea wave and three bands of hair in the shape of waves. He is located next to the north portal.
  • Center left engraving - Left: DIGESTIVE SYSTEM, right: SECTIONED LIMBS. Representation of limbs with blood spurting out and organs separately or together, like the lithosculpture of the digestive system.
  • Center right engraving - MUTILATED PRISONERS. Character portrayed with dilated pupils and expression of pain and terror that would indicate the practice of "vivisection" (an anatomical exploratory procedure on living beings).
  • Right engraving - Left: SECTIONED HEADS, right: STACKED HEADS. Heads have a symbolic meaning, they are the most represented graphics in Sechín. Most of them are “enucleated”, that is, the eyeball has been removed.

West wall of the main building


Casma Regional Museum "Max Uhle"

Museum building
The Casma Regional Museum "Max Uhle" is a Peruvian museum, which is located in the Casma district of the homonymous province in the department of Ancash. It was opened on August 25, 1984. It is located in the Sechín archaeological complex.

  • The museum houses ceramics from the Chavín, Wari, Chimú cultures.

IV Idol of the platform of the Mojeque temple
This character was located in one of the niches of the Mojeque temple as part of the architectural decoration carried out in high relief. It possibly represents a deity. Dressed in a cloak. Only the central part and part of the body decorated with polychrome paint have been preserved.

  • Dimensions: 3.85 m (13 ft) large and 1.97 m (6 ft) high.

General view of the interior of the museum


Display with ceramic pieces


Personage at home
Virú sculptural two-body bottle. Sechín. 100 BCE - 400 CE.


Virú decorated bottle
Sechín. 100 BCE - 400 CE.


Virú ceremonial pot with face
Sechín. 100 BCE - 400 CE.


Chimú tripod vessel with decoration
Casma. 1350 - 1500 CE.


Chimú decorated bottle with two handles at mid-body
Sechín. 100 BCE - 400 CE.


Stone mortar with engraved Sechín head
Sechín valley. 1650 BCE.


Stone mortar with formative design
San Juanito - Valle del Santa. 1800 BCE.


Construction phases of the main building

  • Top - FIRST ADOBE TEMPLE: Built with conical adobe walls and mud mortar from 2500 BCE, it consists of a central chamber with rounded corners and painted dark blue on the inside. It also has an atrium, chambers and an upper terrace. On the façade of the central chamber, felines are painted on each side, in black, white and red on a pink background.
  • Middle - SECOND TEMPLE: Built with conical adobe bricks joined with mud mortar on the First Temple and most of the old buildings. It has a façade with fish designs and has a front staircase leading to a very destroyed platform.
  • Bottom - THIRD TEMPLE: Built with stone walls on the previous temples, its façade depicted the scene Procession of the Warriors. It was remodeled and later partially covered by a landslide around the year 1650 BCE.

Scale model of the main building

Northwest view


Northeast view


Interior view
In the interior of the adobe building, the main decoration is the best preserved. It depicts two mythological fish. Another figure depicts a man bleeding.

  • These depictions closely relate to the sea, rain and human sacrifices.

View of the atrium and the sacred chamber


See also


Source


Location