On the fifth and final day of the Paro Tshechu, as the golden hues of morning
fade into full daylight, the Great Thongdrel—a magnificent silk applique
several stories tall—is gently furling, bringing a sacred chapter of the
festival to a quiet close.
This revered thangka, depicting Guru Padmasambhava, is unfurled only once a
year before sunrise and is believed to cleanse sins merely by being seen.
After a few awe-filled hours of display, the thongdrel is reverently rolled
back up—a ritual not as public or dramatic as its unveiling, but equally
imbued with spiritual gravity.
The act of furling the thongdrel is undertaken by a select group of monks and
caretakers trained in handling such sacred iconography. Their movements are
deliberate and meditative, synchronized as if guided by unseen chants. With
ceremonial grace, they fold the fabric slowly, ensuring that no part is
damaged or dishonored. The scroll, towering and delicate, is heavy with
significance and must be rolled in such a way that its divine imagery remains
preserved for future generations. Silence often accompanies the ritual, as if
the air itself honors the moment.
Though less celebrated than the unfurling, the furling marks a symbolic
return—an inward gesture following the outward blessing of the morning. It
reflects Bhutanese values of impermanence and reverence: beauty shown, then
tucked away; power shared, then held in safekeeping. For many, the final
glimpses of the thongdrel as it disappears into its protective wrapping offer
a quiet, contemplative farewell—an invitation to carry the vision inward.
Stored with great care inside the Paro Dzong, the thongdrel will rest in
darkness for another year. But its brief encounter with light and devotion
lives on in those who witnessed it. In the act of furling, there is no
loss—only the continuation of spiritual cycles, like petals closing with the
dusk to bloom again with spring.
The scarf (kata) is removed before the Great Thongdrel is
furled
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Fruit that was on the altar being distributed to the spectators As the Great Thongdrel begins its solemn furling, another quiet
yet deeply symbolic ritual unfolds: the distribution of fruit from the
altar to the gathered spectators.
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These offerings, often simple fruits like oranges, bananas, or apples,
are not merely refreshments—they are imbued with spiritual meaning.
Having rested on the altar throughout the festival, the fruit is
considered blessed by the presence of sacred dances, prayers, and the
thongdrel itself. When distributed, it becomes a tangible extension of
the blessings received during the festival, a way for devotees to
carry a piece of the divine into their daily lives.
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The timing of this distribution—coinciding with the rolling of the
thongdrel—is no accident. As the sacred scroll is carefully furled and
returned to its resting place, the fruit is passed from altar to hand,
symbolizing the transference of spiritual merit. The thongdrel, which
confers liberation by sight, has fulfilled its purpose for the year.
The fruit, now sanctified, becomes a vessel of that same grace,
allowing the blessings to ripple outward beyond the courtyard of Paro
Dzong. It’s a moment of quiet generosity, where the sacred is shared
in the most humble form.
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This dual ritual also reflects Bhutanese values of impermanence and
continuity. The thongdrel disappears from view, reminding all that
spiritual experiences are fleeting. Yet the fruit, distributed and
consumed, becomes part of the body—a metaphor for internalizing the
teachings and blessings of Guru Rinpoche. It’s a gentle nudge toward
mindfulness: that what is seen must also be remembered, and what is
received must be honored through action and intention.
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In this way, the final morning of Paro Tshechu becomes a layered
farewell. The furling of the thongdrel signals the end of the visual
spectacle, while the fruit distribution offers a quiet continuation of
its spiritual impact. It’s not just the closing of a festival—it’s the
beginning of a personal journey, nourished by sacred sight and
sustained by sacred taste.
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The Great Thongdrel is furled at the base
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At the top, it is gently lowered The rolling of the Great
Thongdrel is not only a spiritual climax but also a logistical ballet
requiring precise coordination between two teams—those stationed at the
top of the structure and those at the base.
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The thongdrel, a massive silk appliqué often spanning several stories,
must be lowered with utmost care to prevent damage to its sacred
fabric and intricate embroidery. The men at the top, responsible for
gradually releasing the scroll, must synchronize their movements with
the team below, who begin the delicate process of furling it as it
descends.
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This coordination is crucial because any mismatch in timing could lead
to slack or tension in the fabric, risking tears or misalignment. The
men at the top must maintain a steady, controlled pace, often guided
by verbal cues or hand signals from below. Meanwhile, the team on the
ground must be equally attentive, adjusting their furling rhythm to
match the descent. Their task is not merely mechanical—it’s reverent.
Each fold must be precise, preserving the sanctity and structure of
the thongdrel for its next unveiling.
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The choreography between these two groups reflects a deeper symbolism:
the unity of purpose in preserving and honoring Bhutan’s spiritual
heritage. It’s a moment where physical labor becomes an offering, and
teamwork becomes a ritual. The men at the top, often monks or trained
custodians, embody the role of guardians of the sacred, while those
below act as stewards of continuity, ensuring the thongdrel is
returned to its resting place with dignity.
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In this way, the rolling of the Great Thongdrel is not just a
technical feat—it’s a spiritual handoff. The seamless coordination
between top and bottom mirrors the harmony between heaven and earth,
between divine blessing and human devotion. It’s a quiet testament to
the care, respect, and collective effort that sustains Bhutan’s most
revered traditions.
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Padmasambhava is progressively disappearing As the Great
Thongdrel begins its slow furling on the final morning of the Paro
Tshechu, a hush falls over the courtyard of Rinpung Dzong.
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Pilgrims, many of whom have traveled days across rugged terrain, stand
in quiet reverence as the towering image of Guru Padmasambhava—radiant
in silks and gold thread—gradually disappears from view. The emotion
is palpable: a mix of awe, gratitude, and a gentle sorrow. For many,
this fleeting glimpse of the sacred is the spiritual high point of the
year, believed to cleanse sins and bestow blessings simply by sight.
As the image recedes, so too does the moment of divine connection,
leaving behind a sense of longing and reflection.
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The act of furling is not abrupt—it is deliberate, ceremonial, and
deeply symbolic. Each fold of the thongdrel feels like a curtain being
drawn on a sacred play, and the pilgrims respond with bowed heads and
folded hands. Some weep quietly, not out of despair, but from the
overwhelming beauty and grace of the experience. Others whisper
prayers, hoping to carry the blessings into their lives beyond the
festival. The gradual disappearance of Padmasambhava’s image is a
reminder of impermanence—a core tenet of Buddhist philosophy—and it
evokes a bittersweet awareness that all things, even the most divine,
must pass.
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Yet within this emotional ebb lies a profound sense of fulfillment. To
witness the thongdrel, even for a moment, is considered a rare
spiritual privilege. As it is furled and returned to its sacred
chamber, pilgrims feel a quiet joy, knowing they were part of
something timeless. The memory of the image lingers in their hearts,
like a seed of enlightenment planted through sight. It’s not just the
visual grandeur that moves them—it’s the belief that they have touched
the edge of the sacred, and that this touch will ripple through their
lives in unseen ways.
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In the end, the emotion is layered: reverence, melancholy, hope, and
devotion all woven together like the threads of the thongdrel itself.
The pilgrims full—carry with them the invisible blessings of
Padmasambhava, and the quiet strength of a faith renewed.
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The spectators watch reverently and silently
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The long bundle with the Great Thongdrel is placed on the
shoulders
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Padmasambhava is leaving, attention wavers
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In procession, the men leave with the Great Thongdrel's bundle As the final rays of dawn stretch across the Paro Valley, the men
entrusted with carrying the bundled Great Thongdrel begin their solemn
procession from the exhibition ground back to the sacred confines of
Rinpung Dzong.
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The weight they bear is not merely physical—it is spiritual, cultural,
and deeply emotional. On their shoulders rests a sacred tapestry that
has conferred blessings upon thousands that morning, and with each
step, they feel the gravity of their role in preserving Bhutan’s most
revered tradition. There is pride in their posture, but also humility,
knowing they are guardians of something far greater than themselves.
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The procession is quiet, reverent. The men move in unison, their faces
marked by concentration and devotion. Some have carried the thongdrel
for years, and yet each time feels new—charged with the energy of the
crowd, the chants still echoing in the air, and the lingering presence
of Guru Padmasambhava’s image. As the bundle shifts slightly with
their movement, they are reminded of its fragility and sanctity.
Emotion wells up not from spectacle, but from service: the honor of
being chosen, the responsibility of safeguarding the sacred, and the
silent connection to generations who have walked this path before.
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There is also a sense of farewell. The thongdrel, once towering and
radiant, is now folded and hidden from view. The men carrying it are
the last to touch it before it returns to its year-long slumber. This
moment is intimate—almost private—despite the watching eyes. Some
carriers glance back at the courtyard, at the pilgrims still
lingering, and feel a quiet ache. The festival is ending, and with it,
the shared spiritual crescendo that binds the community. Their steps
are measured, not just by duty, but by emotion: reverence, nostalgia,
and a deep-rooted love for their heritage.
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By the time the bundle reaches its resting place, the men are
physically tired but spiritually full. They have completed a sacred
circuit, one that began with the unfurling of liberation and ends with
the careful return of grace. In their hearts, they carry the weight of
the thongdrel not as a burden, but as a blessing—a reminder that
devotion is not only in prayer or sight, but in the quiet strength of
service.
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