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Sichuan Museum - Gallery of Sichuan Ethnic Culture

Sichuan, a province in southwestern China, is a vibrant mosaic of ethnic cultures shaped by centuries of migration, conquest, and spiritual tradition.

While the majority of its population is Han Chinese—descendants of settlers from various regions during the Ming and Qing dynasties—the province is also home to 55 officially recognized ethnic groups. Among these, the Yi, Tibetan, and Qiang peoples are especially prominent, each contributing distinct languages, rituals, and artistic expressions. The ancient Ba–Shu civilization, once centered in the Chengdu Plain, laid the foundation for Sichuan’s unique cultural identity, which diverged from Confucian orthodoxy and embraced Taoist mysticism and folk traditions.

The Yi people, concentrated in the Liangshan Yi Autonomous Prefecture, are known for their vibrant lacquerware, totemic rituals, and ancestor worship. Their language, one of the oldest in the region, has been standardized to preserve its literary heritage. The Qiang, indigenous to the Aba Tibetan and Qiang Autonomous Prefecture, practice nature and ancestor worship and are renowned for their stone-block architecture and intricate embroidery. Meanwhile, the Tibetan communities in Ganzi and Aba prefectures maintain deep spiritual traditions rooted in Tibetan Buddhism, expressed through their monasteries, thangka paintings, and ceremonial music. Each group retains its native language, though many also speak Mandarin, facilitating interethnic communication.

Sichuan’s ethnic diversity is not only linguistic and spiritual but also deeply artistic. Folk literature, dance, and music flourish in minority communities, often infused with symbolic motifs and seasonal rhythms. The province’s cultural landscape is further enriched by historical influences from Central Asian merchants and the legacy of Taoist sects like the Way of the Celestial Master. Despite modernization and migration, these ethnic cultures remain vital, celebrated in festivals, preserved in autonomous prefectures, and increasingly recognized as treasures of China’s intangible heritage. Sichuan thus stands as a living testament to the resilience and creativity of its many peoples.

Entering the Gallery of Sichuan Ethnic Culture


Model of traditional stone architecture from the mountainous regions of Sichuan


Lacquer Cup with Silver Cover, Colored Patterns and Eagle Claw Stand
Wood Body. Neoteric Times.


Lots Container
Bamboo and Wood Neoteric Times.


Trantrist instrument Used in Religious Activities
Bamboo and Wood. Neoteric Times.


Iron Knife (top)
Neoteric Times.

Iron Knife (bottom)
Modern Times.


Qiang's Wood Human Head Pestle
Neoteric Times.


Shibi's Hat for a Religious Ceremony
Monkey Fur. Neoteric Times.


Copper Ghee Tea Pot (top)
Modern Times.

Copper Frog-shaped Teapot (right)
Modern Times.

Silver Teapot (bottom)
Qing Dynasty (1644-1911 CE).


Gawu Box with Vajradhara (left)
Bodhisattva Pattern.

Eight-treasure Silver Surface Box (right)
Modern Times.


Gild Copper Kettle with Cover and Lotus Petal Pattern
Qing Dynasty (1644-1911 CE).


Gild Copper Mask
Qing Dynasty (1644-1911 CE).


Wood Mask
Qing Dynasty (1644-1911 CE).


Traditional silver ornaments of the Miao (or Hmong) people
The ensemble would typically be worn by a woman on very important occasions, such as festivals or her wedding day.

  • Crown/Headdress: The top piece is an elaborate crown, decorated with dangling pendants (which sway and make a noise when walking) and possibly depictions of flowers or other auspicious symbols.
  • Necklaces and Breastplates: The three large pieces in the chest area (a rigid necklace and two dangling breastplates) are worn in layers. The lower breastplate (the largest) is the most decorated, often with dragon motifs (symbols of protection and prosperity) or fish/butterflies (symbols of love and happiness).
  • Waist Chains and Silver Apron/Skirt: The lower part is composed of multiple silver plates and panels (like a metal apron). These panels are attached to the waist and, like all headpieces, create a distinctive sound when walking, known as the "singing of silver" (yin xiang).

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