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Mysore Palace, Mysuru, Karnataka, India

Mysore Palace, also known as Amba Vilas Palace, is a historical palace and a royal residence. It is located in Mysore, Karnataka, India.

It used to be the official residence of the Wadiyar dynasty and the seat of the Kingdom of Mysore.

The palace is in the centre of Mysore, and faces the Chamundi Hills eastward.

Entering through the south gate (Balarama)
Balarama is a major deity and is known as the elder brother of Krishna.

  • The name "Balarama" comes from two Sanskrit words: "Bala," which means "strength" or "power," and "Rama," which can mean "pleasure" or is a name often associated with another major deity, Lord Rama. So, Balarama can be interpreted as "the strong one" or "the one who gives joy through strength."
  • Balarama is often depicted carrying a plow (symbolizing agriculture and productivity) and a mace (symbolizing strength and power). He is considered an embodiment of physical strength, loyalty, and duty. His stories are closely intertwined with those of Krishna, and he plays a pivotal role in many of the events described in Hindu scriptures, particularly the Mahabharata and Bhagavata Purana.

Shri Shvethavaraha Swami Gudi
Shri Shvethavaraha Swami Gudi, also known as the Varahaswamy Temple, is a revered Hindu temple located next to the south gate of the palace.

  • It is dedicated to Lord Varaha, the third avatar of Vishnu, who is depicted as a boar.
  • The temple is known for its unique dedication to this incarnation, believed to have rescued the Earth from the demon Hiranyaksha.
  • The temple's architecture is a splendid blend of Dravidian and Hoysala styles, featuring intricately carved pillars, ornate ceilings, and detailed sculptures depicting various mythological scenes.
  • The sanctum sanctorum houses a magnificent idol of Lord Varaha, symbolizing the divine act of saving the Earth.
  • Shri Shvethavaraha Swami Gudi is not only a place of worship but also a site of historical and cultural importance.
  • It attracts devotees and tourists alike, especially during festivals like Varaha Jayanti.

Panorama of the south side of the palace


Panorama of the courtyard


Main building of the palace seen from the courtyard


Bronze lion statues in the courtyard


The wedding hall

  • The Kalyana Mandapa wedding hall is a large octagonal pavilion with a multi-coloured stained glass ceiling, with geometrically arranged peacock motifs. The entire structure was made in Glasgow, Scotland.
  • The floor also features a peacock mosaic, designed with tiles from England. Oil paintings depicting the royal procession and Navratri celebrations of yesteryear are displayed on the walls.

Color tinted glasses on the ceiling
The Mysore Palace had a number of Durbar halls, especially the Peacock Hall, having color tinted glasses imported from Belgium, which were used for marriage ceremonies.


Chamundeswari Rathothsava
Chamundeswari Rathothsava is a grand and vibrant festival celebrated at the Chamundeshwari Temple atop Chamundi Hill in Mysore, Karnataka.

  • The term "Rathothsava" translates to "chariot festival" in Sanskrit. During this festival, a beautifully decorated chariot carrying the idol of Goddess Chamundeshwari is pulled by devotees through the temple streets.
  • The festival is part of the Mysuru Dasara celebrations, a 10-day event that culminates with the Rathothsava. It's a time of great joy and devotion, attracting thousands of devotees and visitors who come to witness the procession and seek the blessings of the Goddess.

Panorama of the silver chairs hall


Wood carving of Saraswati in the silver chairs hall
Saraswati is a revered goddess in Hinduism, often associated with knowledge, music, art, wisdom, and learning.

  • Saraswati is the goddess of learning and intellect. She represents the free flow of wisdom and consciousness. Her presence is invoked in pursuits of education and scholarly endeavors.
  • Often depicted holding a veena (a musical instrument), Saraswati is also the patroness of music, arts, and creativity. She inspires artistic and musical talents.
  • She is usually depicted in white attire, symbolizing purity, clarity of thought, and a clean, unbiased mind.
  • Saraswati is associated with speech (Vak) and eloquence. She is believed to bestow the gift of eloquent and harmonious speech upon her devotees.
  • Her serene and composed demeanor signifies calmness and a balanced mind, important attributes for intellectual and creative pursuits.
  • She holds a book, representing the Vedas, which signifies knowledge that dispels ignorance and leads to enlightenment.

Wooden carving of Ganesha in the silver chairs hall
Ganesha is easily recognizable by his distinctive elephant head and human body.

  • Ganesha is renowned for his role as the remover of obstacles, making him a deity invoked at the beginning of new ventures, journeys, and important undertakings.
  • Ganesha is a deity of intellect and wisdom, often worshipped by students, artists, and scholars seeking success and creativity in their endeavors.
  • He is worshipped at the start of rituals and ceremonies. His blessings are sought to ensure the smooth execution of events and projects.
  • Ganesha is depicted holding a book or manuscript, representing knowledge and learning. His large head symbolizes the wisdom he bestows upon his devotees.

Dolls' pavilion
The palace is entered through a gallery displaying traditional dolls from the 19th and early 20th centuries.

  • The pavilion also houses a fine collection of Indian and European sculptures and ceremonial objects, including a wooden elephant palanquin decorated with 84 kg (185 lbs) of gold.

Entering the public audience hall


Plaster of Paris statue of Krishnaraja Wadiyar IV who was instrumental in the construction of this palace
Krishnaraja Wadiyar IV, also known as Nalwadi Krishnaraja Wadiyar, was the 24th Maharaja of Mysore, reigning from 1902 until his death in 1940. He is often referred to as the "father of modern Mysore" due to his significant contributions to the state's development and modernization.

  • He established numerous educational institutions, including the University of Mysore, and promoted higher education.
  • Under his rule, Mysore saw extensive infrastructure development, including the construction of wide roads, bridges, and public buildings.
  • He founded several hospitals and health institutions, such as the Minto Ophthalmic Hospital (one of the oldest eye hospitals in the world).
  • He promoted industrialization and economic growth, making Mysore one of the most prosperous states in India at the time.
  • Krishnaraja Wadiyar IV was a patron of arts and culture, supporting various cultural and artistic endeavors.
  • He was known for his philosophical and saintly approach to kingship, earning him the title "Rajarshi" (saintly king) from Mahatma Gandhi. His reign is often considered the golden age of Mysore due to the significant progress and prosperity achieved during his time.

Public audience hall
Diwan-e-aam, a public durbar where the people could meet the king at appointed times, to present petitions.


Panorama of the public audience hall seen from east to west


Panorama of the public audience hall seen from west to east


Entering the private audience hall
Access to this opulent room is through an elegant rosewood door inlaid with ivory which opens onto a shrine dedicated to Ganesh.


Panorama of the private audience hall

  • The central nave of the hall is decorated with gilded columns, stained glass windows, decorative steel grilles and floral chandeliers, the mosaic floor is decorated with semi-precious stones.
  • This is where the king conferred with his ministers and received people who deserved special attention.

Another panorama of the private audience hall


Central space of the private audience hall


Access door to the private audience hall


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