Haedong Yonggung Temple is a Buddhist temple in Gijang-gun, Busan, South
Korea.
The temple was built in 1376 by the teacher known as Naong during the Goryeo
Dynasty, and was originally known as Bomun Temple.
It was destroyed during the Japanese invasions of Korea (1592–98) but was
rebuilt in the 1930s, and was renamed Haedong Yonggung Temple in 1974.
The temple complex is a large one and one of few in Korea to be set on the
seaside. As such, combined with its proximity to Haeundae Beach and the east
side of Busan, the temple is popular with sightseers, particularly during
Buddha's Birthday celebrations when the complex is decorated with paper
lanterns.
It honors Haesu Gwaneum Daebul, the Sea Goddess Buddha of Mercy, who is an
aspect of Guanyin.
Haedong Yonggung Temple map.
The temple complex is a large one and one of few in Korea to be set on
the seaside.
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Guardian lion.
Chinese guardian lions, or imperial guardian lions, are a traditional
Chinese architectural ornament, but the origins lie deep in much older
Indian Buddhist traditions.
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Typically made of stone, they are also known as stone lions or shishi.
They are known in colloquial English as lion dogs or foo dogs / fu
dogs.
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The concept, which originated and became popular in Chinese Buddhism,
features a pair of highly stylized lions—often one male with a ball
which represents the material elements and one female with a cub—which
represents the element of spirit, were thought to protect the building
from harmful spiritual influences and harmful people that might be a
threat.
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Used in imperial Chinese palaces and tombs, the lions subsequently
spread to other parts of Asia including Japan, Korea, Philippines,
Tibet, Thailand, Myanmar, Vietnam, Sri Lanka, India, Nepal, Cambodia,
Laos, and Malaysia.
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Zodiac park.
There are 12 animals in the Korean Zodiac. These are: Rat, Ox, Tiger,
Rabbit, Dragon, Snake, Horse, Sheep, Monkey, Rooster, Dog and Pig.
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The year of an animal repeats every twelve years, and it follows the
order of the animals listed above.
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The Chinese zodiac is a traditional classification scheme based on the
Chinese calendar that assigns an animal and its reputed attributes to
each year in a repeating twelve-year cycle. Originating from China,
the zodiac and its variations remain popular in many East Asian and
Southeast Asian countries, such as Japan, South Korea, Vietnam,
Singapore, Nepal, Bhutan, Cambodia, and Thailand.
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See more at
Chinese zodiac - Wikipedia.
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Dragon-headed Bixi with a stele.
Bixi, or Bi Xi (Wade–Giles: Pi-hsi), is a figure from Chinese mythology.
One of the 9 sons of the Dragon King, he is depicted as a dragon with
the shell of a turtle. Stone sculptures of Bixi have been used in
Chinese culture for centuries as a decorative plinth for commemorative
steles and tablets.
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Sculptures of Bixi are traditionally rubbed for good luck, which can
cause conservation issues.
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They can be found throughout East Asia and the Russian Far East.
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See more at
Bixi - Wikipedia.
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Bodhidharma statue.
Bodhidharma was a semi-legendary Buddhist monk who lived during the 5th
or 6th century CE. He is traditionally credited as the transmitter of
Chan Buddhism to China, and is regarded as its first Chinese patriarch.
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He is known as Damo in China, as Dalma in Korea and as Daruma in
Japan. His name means "dharma of awakening (bodhi)" in Sanskrit.
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Throughout Buddhist art, Bodhidharma is depicted as an ill-tempered,
large-nosed, profusely-bearded, wide-eyed non-Chinese person. He is
referred to as "The Blue-Eyed Barbarian" in Chan texts.
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Bodhidharma's teachings and practice centered on meditation and the
Laṅkāvatāra Sūtra.
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See more at
Bodhidharma - Wikipedia.
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Guanyin relief.
Guanyin is a Bodhisattva associated with compassion. She is the East
Asian representation of Avalokiteśvara and has been adopted by other
Eastern religions. In Korean, Guanyin is called Gwan-eum or Gwanse-eum.
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She was first given the appellation "Goddess of Mercy" or "Mercy
Goddess" by Jesuit missionaries in China.
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Guanyin's abode and in India is recorded as being on Mount Potalaka.
With the localization of the belief in Guanyin, each area adopted
their own Potalaka. In Chinese Buddhism, Mount Putuo is considered the
abode of Guanyin. Naksansa is considered to be the Potalaka of Guanyin
in Korea. Japan's Potalaka is located at Fudarakusan-ji. Tibet's
Potalaka is the Potala Palace.
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There are several pilgrimage centers for Guanyin in East Asia.
Putuoshan is the main pilgrimage site in China. There is a 33 temple
Guanyin pilgrimage in Korea which includes Naksansa.
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See more at
Guanyin - Wikipedia.
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Traffic safety prayer pagoda.
At the base of this pagoda is a car wheel sculpture with a sign saying
“Traffic Safety Prayer Pagoda”.
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This is a place for people to stop and pray for safety while driving
and to avoid any automobile accidents.
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Dol hareubang.
Dol hareubangs, also called tol harubangs, hareubangs, or harubangs, are
large rock statues found on Jeju Island off the southern tip of South
Korea. They are considered to be gods offering both protection and
fertility and were placed outside of gates for protection against demons
travelling between realities.
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Dol hareubangs are carved from porous basalt (volcanic rock) and can
be up to three metres high.
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The statues' faces feature grinning expressions, bulging eyes without
pupils, a long, broad nose, and slight smile, and their hands rest on
their bellies, one slightly above the other.
- The hat is commonly described as phallic or mushroom-like.
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See more at
Dol hareubang - Wikipedia.
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Gate with two guardian dragons.
The sign at the gate reads: «The Dragon of East Sea Temple».
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Ao Guang is the Dragon King of the East Sea in Chinese folklore.
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In the tale of The Eight Immortals Crossing the Sea, the Queen
Mother of the West extends an invitation to the Eight Immortals to
attend the Conference of the Magical Peach. As they cross the ocean,
they encounter a confrontation with the Dragon King of the East Sea,
which escalates into a fierce dispute between the two sides.
Eventually, the Eight Immortals and their companions employ the power
of their talismans, emerging victorious and successfully completing
their journey across the sea.
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See more at
Ao Guang - Wikipedia.
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Budai statue.
Budai (Chinese: Budai; Korean: Podae; Japanese: Hotei; Vietnamese: Bo
Dai) was a Chinese monk who is often identified with and venerated as
Maitreya Buddha in Chan Buddhism. With the spread of Chan Buddhism, he
also came to be venerated in Vietnam, Korea, and Japan.
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He is said to have lived around the 10th century CE in the Wuyue
kingdom.
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His name literally means "cloth sack", and refers to the bag that he
is conventionally depicted as carrying as he wanders aimlessly.
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His jolly nature, humorous personality, and eccentric lifestyle
distinguish him from most Buddhist masters or figures. He is almost
always shown smiling or laughing, hence his nickname in Chinese, the
"Laughing Buddha".
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As he is traditionally depicted as overweight and many stories
surrounding Budai involve his love of food and drink, he is also
referred to as the "Fat Buddha", especially in the Western world.
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See more at
Budai - Wikipedia.
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Descending towards the temple.
To get to the Dragon of East Sea Temple we have to go through the Dragon
Cave.
The "belly of the whale" represents the final separation from the hero's
known world and self. By entering this stage, the person shows a
willingness to undergo a metamorphosis.
The road of trials is a series of tests that the hero must undergo to
begin the transformation.
See more at
Hero's journey - Wikipedia.
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Statue of Buddha for Academic Achievement.
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Continuing down towards the temple.
Down the lantern lined 108 steps that represent the 108 agonies of
earthly desire of Buddhism, visitors come to a bridge that leads to the
main temple complex.
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Zen priests wear juzu (a ring of prayer beads) around their wrists,
which consists of 108 beads.
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In Japan, at the end of the year, a bell is chimed 108 times in
Buddhist temples to finish the old year and welcome the new one. Each
ring represents one of 108 earthly temptations (Kleshas) a person must
overcome to achieve nirvana.
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Kleshas in Buddhism, are mental states that cloud the mind and
manifest in unwholesome actions. Kleshas include states of mind such
as anxiety, fear, anger, jealousy, desire, depression, etc.
Contemporary translators use a variety of English words to translate
the term kleshas, such as: afflictions, defilements, destructive
emotions, disturbing emotions, negative emotions, mind poisons, and
neuroses.
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All Buddhist schools teach that through Tranquility (Samatha)
meditation the kilesas are pacified, though not eradicated, and
through Insight (Vipassana) the true nature of the kilesas and the
mind itself is understood. When the empty nature of the Self and the
Mind is fully understood, there is no longer a root for the disturbing
emotions to be attached to, and the disturbing emotions lose their
power to distract the mind.
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See more at
Kleshas (Buddhism) - Wikipedia.
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Buddha calling the Earth goddess to witness.
Buddha holds his right hand downward in the earth-touching gesture (bhumisparsha mudra) with which he calls the Earth goddess to affirm that he is entitled
to attain enlightenment following his triumph over Mara, the destroyer.
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The sign reads: «Buddha of the Two Perfumes». On the left and right
side of this statue are a male juniper tree and a female juniper tree.
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The bhūmisparśa or "earth witness" mudra of Gautama Buddha is one of
the most common iconic images of Buddhism. Other names include "Buddha
calling the earth to witness", and "earth-touching". It depicts the
story from Buddhist legend of the moment when Buddha attained complete
enlightenment, with Buddha sitting in meditation with his left hand,
palm upright, in his lap, and his right hand touching the earth. In
the legend, Buddha was challenged by the evil one, Mara, who argue for
a witness to attest his right to achieve it. In response to Mara,
Buddha touched the ground, and Phra Mae Thorani, the earth goddess,
appeared to be the witnesses for the Buddha's enlightenment.
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See more at
Bhūmisparśa Mudrā - Wikipedia.
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Temple footbridge.
The crossing over the bridge symbolizes the journey between the mortal
world into the afterlife, and the cleansing of one’s worldly burdens
that follow. Through this journey, the individual experiences a symbolic
sense of purity, inner peace and a unity with nature.
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With the rising influence of Zen, crossing the bridge was also
interpreted in a broader spiritual sense that placed more emphasis
upon the journey between the world of man and the world of nature.
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Ksitigarbha statue.
Ksitigarbha (Chinese: Dizang; Japanese: Jizo; Korean: Jijang;
Vietnamese: Dia Tang, Tibetan: sa yi snying po) is a bodhisattva
primarily revered in East Asian Buddhism and usually depicted as a
Buddhist monk.
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Ksitigarbha is known for his vow to take responsibility for the
instruction of all beings in the six worlds between the death of
Gautama Buddha and the rise of Maitreya, as well as his vow not to
achieve Buddhahood until all hells are emptied.
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He is therefore often regarded as the bodhisattva of hell-beings, as
well as the guardian of children and patron deity of deceased children
and aborted fetuses in Japanese culture.
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Usually depicted as a monk with a halo around his shaved head, he
carries a staff to force open the gates of hell and a wish-fulfilling
jewel to light up the darkness.
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See more at
Kṣitigarbha - Wikipedia.
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And we continued to descend further.
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On the riverbed.
On the right side of the bridge, you’ll see a few stone ponds along with
quite a few different statues.
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These stone ponds are a popular spot for people to toss coins into the
water and make a wish. They say that if your coin makes it into one of
the stone mugs, your wish will come true.
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Statue of Nio at the entrance to the temple.
Nio are two wrathful and muscular guardians of the Buddha standing today
at the entrance of many Buddhist temples in East Asian Buddhism in the
form of frightening wrestler-like statues.
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They are dharmapala manifestations of the bodhisattva Vajrapani, the
oldest and most powerful of the Mahayana Buddhist pantheon.
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See more at
Nio - Wikipedia.
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Dragon King of the East Sea.
Ao Guang is the Dragon King of the East Sea in Chinese folklore.
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He featured prominently in different works including
Fengshen Yanyi and Journey to the West.
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See more at
Ao Guang - Wikipedia.
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Receiving explanations.
Eric Bouteloup explains the importance of Haedong Yonggung Temple.
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Inside the main hall.
In the interior of the main hall, you’ll find a triad of statues under a
large red canopy (datjib). In the centre sits Sakyamuni (the
Historical Buddha). This statue is joined on either side by
Bhaisajyaguru (the Medicine Buddha) and Amitabha (the Buddha of the
Western Paradise).
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Sakyamuni is one of the most common epithets of Gautama Buddha,
especially in the Mahayana traditions, where the name Sakyamuni is
used to distinguish the historical buddha from the myriad other
buddhas who appear in the Sutras.
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Bhaisajyaguru is the Buddha of healing and medicine in Mahayana
Buddhism. Commonly referred to as the "Medicine Buddha", he is
described as a doctor who cures suffering using the medicine of his
teachings.
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Amitabha is the buddha of comprehensive love. He lives in the West
(represented as a meditating Buddha) and works for the enlightenment
of all beings (represented as a blessing Buddha). His most important
enlightenment technique is the visualization of the surrounding world
as a paradise. Those who see his world as a paradise awaken his
enlightenment energy. The world can be seen as a paradise by a
corresponding positive thought (enlightenment thought) or by sending
light to all beings (wish all beings to be happy).
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These three Buddhas are depicted in traditional Chinese temple halls:
Gautama Buddha (Shakyamuni), Bhaisajyaguru Buddha and Amitabha Buddha.
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Golden Budai statue.
Budai (Chinese: Budai; Korean: Podae; Japanese: Hotei; Vietnamese: Bo
Dai) was a Chinese monk who is often identified with and venerated as
Maitreya Buddha in Chan Buddhism. With the spread of Chan Buddhism, he
also came to be venerated in Vietnam, Korea, and Japan.
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Budai was one of several "uncommitted saints" that became incorporated
into the Chan pantheon.
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Similar "eccentric" figures from the lamp histories were never
officially inducted or appropriated into the Chan patriarchal line.
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Instead, these obscure figures represented the "special transmission"
that occurred during the early to mid 12th century.
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This transmission did not rely on patriarchal lineage legitimacy but
instead used the peculiar personalities and qualities of various
folkloric figures to illustrate the Chan tradition's new commitment to
the idea of "awakening" and the propagation of Chan to a larger
congregation.
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See more at
Budai - Wikipedia.
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Towards Guanyin.
Entrance to the stairs that give access to the great statue of Guanyin
that is found on the side of the hill.
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The serenely smiling Bodhisattva is situated up a set of uneven
stairs.
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This towering statue is known as the Haesu Gwaneeum Daebo, which means
“Sea Water Bodhisattva of Compassion Statue,” in English.
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On all sides, the Bodhisattva is surrounded by shrubbery and slender
monk statues.
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It’s also from these heights that you get a breath-taking view of both
the temple and the sea. So take your time and enjoy the view, you’ve
earned it!
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Worshiping the Buddha under the Bodhi tree.
The Bodhi Tree ("tree of awakening"), also called the Mahabodhi Tree, Bo
Tree, is a large sacred fig tree located in Bodh Gaya, Bihar, India.
Siddhartha Gautama, the spiritual teacher who became known as the
Buddha, is said to have attained enlightenment or buddhahood circa 500
BCE under this tree.
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In religious iconography, the Bodhi Tree is recognizable by its
heart-shaped leaves, which are usually prominently displayed.
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According to Buddhist texts, the Buddha meditated without moving from
his seat for seven weeks (49 days) under this tree.
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See more at
Bodhi Tree - Wikipedia.
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Reclining Buddha.
A reclining Buddha is an image that represents Buddha lying down and is
a major iconographic theme in Buddhist art. It represents the historical
Buddha during his last illness, about to enter the parinirvana. He is
lying on his right side, his head resting on a cushion or relying on his
right elbow, supporting his head with his hand.
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This pattern seems to have emerged at the same time as other
representations of the Buddha in the Greco-Buddhist art of Gandhara.
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See more at
Reclining Buddha - Wikipedia.
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Small shrine.
Small shrine flanked by two lanterns.
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Three-story stone pagoda.
Three-story stone pagoda with four lions at its base.
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These four lions are mean to symbolize the four basic human emotions:
love, sorrow, anger, and joy.
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Cave hall.
The cave hall in front of the Daxiong Hall is called the Maitreya Hall.
It enshrines the Maitreya seated stone Buddha that has existed since the
temple was founded.
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Maitreya or Metteyya, also Maitreya Buddha or Metteyya Buddha, is
regarded as the future Buddha of this world in Buddhist eschatology.
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In all branches of Buddhism, he is viewed as the direct successor of
Gautama Buddha.
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Despite many religious figures and spiritual leaders claiming to be
Maitreya throughout history, all Buddhists firmly agree that these
were false claims, indicating that Maitreya, the Buddha of the Future,
is yet to appear.
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See more at
Maitreya - Wikipedia.
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Leaving Haedong Yonggung Temple.
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See also
Source
Location