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Kamakura Hase-dera Temple

Hase-dera (Kaiko-zan Jisho-in Hase-dera), commonly called the Hase-kannon is one of the Buddhist temples in the city of Kamakura in Kanagawa Prefecture, Japan.

The temple originally belonged to the Tendai sect of Buddhism, but eventually became an independent temple of the Jodo-shu.

The main statue of Kannon is one of the largest wooden statues in Japan, with a height of 9.18 metres (30.1 ft). It is made from camphor wood, with gold gilding. It has 11 heads, each of which represents a different phase in the search for enlightenment.

Kamakura Hase-dera Temple map.
The temple sits about half-way up Mount Kamakura, southwest of the city of Kamakura. The temple commands an impressive view over Yuigahama. Seven buildings make up the temple complex.

  • The temple is the fourth of the 33 stations of two different pilgrimage routes: 1) Bando Sanjusankasho pilgrimage circuit dedicated to the goddess Benzaiten, 2) Kanto Pilgrimage.

Main Gate (Sanmon).
The gate is the forth largest of its kind in Kamakura.

  • A symbolic large red lantern and gate-shading pine tree welcome the visitors.

Kannon and Jizo statues.
Fudarakusan-ji name refers to Mount Potalaka, the mythical home of the goddess Kannon, to whom this temple is dedicated.

  • It is believed to have been founded in the 4th century by Ragyō Shōnin, a monk from India.
  • Guanyin (Chinese: Kuan-yin; Japanese: Kannon; Korean: Gwan-eum; Vietnamese: Quan Am) is a Bodhisattva associated with compassion. She is the East Asian representation of Avalokitesvara.
  • Ksitigarbha (Chinese: Dizang; Japanese: Jizo; Korean: Jijang; Vietnamese: Dia Tang, Tibetan: sa yi snying po) is a bodhisattva primarily revered in East Asian Buddhism and usually depicted as a Buddhist monk.
  • See more at Guanyin - Wikipedia and Kṣitigarbha - Wikipedia.

Washbasin (Temizuhachi).


Fudo Myoo statue (Acala).
Fudo Myoo (Acala), was never popular in Indian, Tibetan or even Chinese Buddhism, but in Japan it became the object of a flourishing cult with esoteric overtones.

  • The cult of Acala was first brought to Japan by the esoteric master Kūkai, the founder of the Shingon school, and his successors, where it developed as part of the growing popularity of rituals for the protection of the state.
  • While Acala was at first simply regarded as the primus inter pares among the five wisdom kings, he gradually became a focus of worship in his own right, subsuming characteristics of the other four vidyarajas (who came to be perceived as emanating from him), and became installed as the main deity (honzon) at many temples and outdoor shrines.
  • Acala, as a powerful vanquisher of evil, was regarded both as a protector of the imperial court and the nation as a whole (in which capacity he was invoked during state-sponsored rituals) and the personal guardian of ritual practitioners.
  • At temples dedicated to Acala, priests perform the Fudo-ho, or ritual service to enlist the deity's power of purification to benefit the faithful. This rite routinely involves the use of the Homa fire ritual (goma) as a purification tool.
  • See more at Acala - Wikipedia.

Entrance to Benzaiten Grotto (Benten Kutsu).
The cave, called Benzaiten Grotto (Benten Kutsu), contains a long winding tunnel with a low ceiling and various statues and devotionals to Benzaiten, the sea goddess and the only female of the Seven Lucky Gods in Japanese mythology.


Benzaiten Statue.
Benzaiten (lit. "goddess of eloquence"), also simply known as Benten, is a Japanese Buddhist goddess who originated mainly from Saraswati, the Hindu goddess of speech, the arts, and learning, with certain traits deriving from the warrior goddess Durga.

  • Benzaiten is a female kami to Shinto with the name Ichikishima-hime-no-mikoto.
  • See more at Benzaiten - Wikipedia.

Different Buddhist deities.


Statues of Benten.


Ema Hall (Ema-do).
In some early Shinto and folk traditions of Japan, horses were seen as carrying messages from the kami, and were usually used to transmit requests during droughts or famines. Horses were extremely expensive, and figures made of clay or wood have been found dating to the Nara period. The earliest text record of a substitution is from the Honcho Bunsui from 1013, in which an offering of three paper horses is made at the Kitano Tenjin shrine. During the Kamakura period, the practice entered into Buddhist practice, as evidenced in painted scrolls of ema at Buddhist temples.

  • Ema are left hanging up at the shrine, where the kami (spirits or gods) are believed to receive them.
  • Once inscribed with a wish, ema are hung at the shrine until they are ritually burned at special events, symbolic of the liberation of the wish from the writer.
  • As a ritual, the ema is a means to communicate wishes to both priests and the kami. The public nature of the ema, which are displayed at shrines before their ritual burning, also serves a social function for communicating to the community that an individual has made the wish. Burning the wishes helps to "symbolically liberate" the spirit of the wish into the world. In some cases, however, wishes are taken from the shrine to be hung at home, though still ritually burned in special ceremonies.
  • See more at Ema (Shinto) - Wikipedia.

Benten Hall (Benten-do).
In Japanese a Benten-do (lit. hall of Benten) is a Buddhist temple dedicated to Benten or Benzaiten, goddess of wealth, happiness, wisdom, and music. Many such temples exist all over Japan.

  • Because the goddess was originally the personification of a river, Benten-do often stand next to some source of water, a river, pond, spring, or even the sea.
  • The goddess is routinely believed to be essentially the same as kami Ugajin within the syncretism of Buddhism and local kami worship called shinbutsu-shugo.
  • For this reason, Benten-do can be found also at many Shinto shrines, despite use of the suffix -do, which is the traditional designation for a Buddhist "hall".
  • In contrast, the halls of Shinto shrines use the esuffix -den, as in honden.
  • See more at Benten-dō - Wikipedia.

Nagomi Jizo.
The grounds of the temple are home to hundreds of small Jizo statues, placed by parents mourning offspring lost to miscarriage, stillbirth, or abortion.

  • These statues remain in place for about a year, before being removed to make way for more statues; it is estimated that some 50,000 Jizo statues have been placed at Hase-dera since World War II.

Myochi Pond.


Beginning of the stairs that lead to Hase-dera.
The temple is built on two levels.

  • The temple sits about half-way up Mount Kamakura.

Hydrangea Path.
The temple is famous for its hydrangeas, which bloom along the Hydrangea Path in June and July.


Jizo Hall (Jizo-do).
The hall appears after taking the stairs from the lower level.

  • Surrounding the hall, a large number of Jizo statues called Sentai Jizo or Thousand Jizo stand in long rows.
  • Jizo is a Buddhist deity believed to protect children and give prosperity to one’s descendant.
  • Mizukake Jizo (water-pouring Jizo) is placed near the hall as well. It is believed that one can purify one’s mind by gently pouring water over the statue.

Bell Tower (Shoro).
The original bell which was casted in 1264 is the third oldest bell in Kamakura.

  • It was designated as an Important Cultural Property of Japan in 1953, and is currently exhibited in the Kannon Museum.
  • The present temple bell was newly casted in 1984. It is struck at 8 O’clock every morning when the entrance gate opens.

Kannon Hall (Kannon-do).
According to the legend, the original Kannon-do hall was established in 736, when the Kannon statue washed ashore.

  • Although it has been reconstructed a number of times in later years, one time experiencing the Great Kanto Earthquake in 1923 the hall became devastated.
  • The present Kannon-do hall was built of reinforced concrete to enshrine the Kannon statue protectively.
  • The total reconstruction was finally completed in 1985, after more than 60 years since the disaster.

Reproduction of the Statue of Kannon.
The main statue of Kannon is one of the largest wooden statues in Japan, with a height of 9.18 metres (30.1 ft) It is made from camphor wood, with gold gilding. It has 11 heads, each of which represents a different phase in the search for enlightenment.

  • According to legend, the statue is one of two images of Kannon carved by a monk named Tokudo in 721.
  • The camphor tree was so large, according to legend, that he decided that he could carve two statues with it.
  • One was enshrined in Hase-dera in the city of Nara, Yamato Province, while the other was set adrift in the sea to find the place with which it had a karmic connection.
  • The statue washed ashore on Nagai Beach on the Miura Peninsula near Kamakura in the year 736. The statue was immediately brought to Kamakura where a temple was built to honor it.

Kannon Museum.
The museum exhibits valued historic treasures of Hasedera temple.

  • It consists of three exhibition spaces.
  • A large digital screen and touch screens are there for the visitors to acquire better knowledge of Kannon and its faith.

Eight Deities sculpture (Hachibushu).


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