Abydos is one of the oldest cities of ancient Egypt, and also of the eighth
nome in Upper Egypt.
It is located about 11 kilometres (6.8 miles) west of the Nile, near the
modern Egyptian towns of el-'Araba el Madfuna and al-Balyana.
Considered one of the most important archaeological sites in Egypt, the sacred
city of Abydos was the site of many ancient temples, including Umm el-Qa'ab, a
royal necropolis where early pharaohs were entombed.
These tombs began to be seen as extremely significant burials and in later
times it became desirable to be buried in the area, leading to the growth of
the town's importance as a cult site.
Today, Abydos is notable for the memorial temple of Seti I, which contains an
inscription from the nineteenth dynasty known to the modern world as the
Abydos King List. It is a chronological list showing cartouches of most
dynastic pharaohs of Egypt from Menes until Seti I's father, Ramesses I.
On the way to Abydos
Road along the Nile that takes us from Luxor to Abydos.
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Abydos is one of the oldest cities of ancient Egypt. It is located
about 11 kilometres (6.8 miles) west of the Nile.
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Considered one of the most important archaeological sites in Egypt,
the sacred city of Abydos was the site of many ancient temples.
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Public square in front of the Temple of Seti I
This public square has a good parking lot for those visiting the Temple
of Seti I.
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Temple of Seti I Plan
Plan Legend:
- Temple of Seti I
- Osireion
- Palace
- Ramp
- Pylon
- First Courtyard
- Second Courtyard
- Entrance
- Corridor of the Kings
- Ptah-Sokar-Osiris
- Nefertem
- Entrance
- Long vaulted corridor
- First vestibule
- Small room
- Second corridor
- Great vestibule
- Portal
- Central hall
- Large transverse hall
- Modern staircase
- First Hypostyle Hall
- Second Hypostyle Hall
- Chapel of Amun-Ra
- Chapel of Osiris
- Chapel of Isis
- Chapel of Horus
- Chapel of Ra-Horakhty
- Chapel of Ptah
- Chapel of Seti I deified
- Osiris Hall
- Room
- Chapel of Isis
- Chapel of Osiris-Seti
- Chapel of Horus
- Chapel of Room (b)
- Chapel of Room (b)
- Chapel of Room (b)
- Vestibule with three columns
- Staircase
- Butcher's Hall
- Room
- Room
- Room
- Room
- Barks Hall
- Archives
- Archives
- Archives vestibule
- Archives
- Archives
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Scale model of the Temple of Seti I
This scale model is located inside the reception area of the
archaeological site.
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On the right side we can see the Temple of Seti I (Plan No. 1)
preceded by two courtyards.
- On the left side is the Palace (Plan No. 2).
- Behind the temple is the Osirion (Plan No. 3).
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Temple of Seti I (Plan No. 1) seen from the northeast
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On the right side of the photo, we can see the Ramp (Plan No. 4)
providing access to the Pylon (Plan No. 5).
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In the center, we can see what remains of the Pylon (Plan No. 5), its
base.
- Above, we can see the First Hypostyle Hall (Plan No. A).
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Going up the Ramp (Plan No. 4) to access the Pylon (Plan No. 5)
The Temple of Seti I is built on a slope.
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In the Pylon (Plan No. 5).
The large stoneware Pylon (Plan No. 5) was added by Ramesses II.
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Today it is practically completely ruined with only the base
remaining.
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First Courtyard (Plan No. 6)
The advanced body of the First Courtyard (Plan No. 6) has low reliefs
that cover the walls at the bottom.
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There are scenes of battles, military parades, and the sacrifice of
huge oxen adorned with flowers.
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These are in the southwest, I mean on the side of the Butcher's Hall
(Plan No. l).
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Second Courtyard (Plan No. 7)
The southwest portico of the Second Courtyard (Plan No. 7) serves as the
temple's facade.
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Access ramp to the southwest portico of the Second Courtyard (Plan
No. 7)
Access ramp to the southwest portico of the Second Courtyard (Plan No.
7) which serves as the temple's facade.
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Southwest portico of the Second Courtyard (Plan No. 7)
The southwest portico of the Second Courtyard (Plan No. 7) currently
serves as the temple's facade. It is accessed by an axial ramp.
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It is made up of twelve rectangular pillars, and a wall, initially
pierced by seven doors, closed by Ramesses II with stoneware blocks,
with the exception of the one in the center and two on the right.
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The wall shows us, on the right, scenes relating to the cult given to
Seti by his son Ramesses, and conceived according to episodes from the
myth of Osiris.
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On the left is a large dedicatory inscription in which Ramesses tells
what he did to worship his father who had just died.
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It is preceded by a painting where Ramesses II offers the statuette of
Maat to the triad composed of Osiris, Isis and Seti I.
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The inscription consists of 95 lines and can be divided into two parts
corresponding to two different periods of Ramesses II's reign.
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In the first, the king says that, in the year of his accession to
the throne, he made the trip to Abydos, and was moved by the poor
state in which he found the tombs in the royal necropolis: his
father's temple was unfinished; «the columns were not erected on
their bases, the statue remained lying on the ground, having not yet
been shaped when the king descended into the tomb». He sent his
people in anger and ordered them to finish the monument.
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In the second, everything is finished or about to be finished.
Ramesses, in great lyricism, celebrates his piety towards his
father.
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Entrance (Plan No. 8)
Penetrating inside the central door, we are immediately surprised by the
particular character of this temple: its division into seven parts,
which begins with the seven entrance doors and crosses the two hypostyle
rooms (Plan No. A and B) in seven bays to end at seven sanctuaries.
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There are, if we may say so, seven temples in a single temple. In Kom
Ombo we also have an example of division into two.
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The seven deities to which each of the divisions is consecrated are:
- in the center, Amun-Ra;
- on the right, Osiris, Isis and Horus;
- on the left, Ra-Horakhty, Ptah, and Seti I deified.
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First Hypostyle Hall (Plan No. A)
The First Hypostyle Hall (Plan No. A) occupies a space measuring 52 m
(170 ft) by 11 m (36 ft).
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It is divided into seven bays, each bay containing two rows of two
monostile papyriform columns.
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The passage thus obtained between the groups of four columns is placed
on the axis of the sanctuary that corresponds to it.
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The bas-reliefs on the barrels represent Ramesses II worshiping before
each of the seven deities, accompanied by their paredes and forming
many other triads.
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The walls are decorated with large paintings relating to deities.
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The base has a list of nomes (districts) with a procession of the
figures that personify them.
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Second Hypostyle Hall (Plan No. B)
The Second Hypostyle Hall (Plan No. B) has three rows of columns.
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The first two rows, also grouped two by two, have closed papyriform
capitals.
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The last row has rectangular dams without interposing capitals, in
order to reduce the difference in height of the barrels, because here
the floor is one step higher.
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The decoration of this hall, similar to the previous one, is
contemporary with Seti I and contrasts, due to its beautiful
execution, with the decoration of the other hall, which is a work from
the time of Ramesses II.
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The seven chapels
The seven chapels C, D, E, F, G, H, I, are each dedicated to a different
deity.
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They are 10.85 m (35.59 ft) deep and 5.20 m (17.06 ft) wide and are
divided into two parts, in the depth direction, by two projecting
pilasters.
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They are covered by false corbelled vaults, like hypogeum vaults.
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Its decoration consists of the same set of thirty-six paintings
designed according to the same model and relating to the ceremonies
that the king had to celebrate. These reliefs are undoubtedly the most
beautiful that have come down to us from the New Empire.
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Each of these chapels was preceded by a ramp (Amun's by a staircase)
and was closed by a double-leaf door, according to the
representations, each one contained the boat of the god to which it
was dedicated.
- At the bottom, there is a stele dedicated to the divinity.
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Seti's chapel had no boat, without a doubt, and it was a private
priest to the royal cult who officiated before the deified pharaoh.
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A splendid scene represents the crowning of the king by the two
goddesses of Upper and Lower Egypt.
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Chapel of Amun-Ra (Plan No. C)
During the visit, the Chapel of Amun-Ra (Plan No. C) was being restored.
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Amun was a member of the Ogdoad, representing creation-energies with
Amaunet, a very early patron of Thebes.
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He was believed to create via breath and thus was identified with the
wind rather than the Sun.
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As the cults of Amun and Ra became increasingly popular in Upper and
Lower Egypt respectively they were combined to create Amun-Ra, a solar
creator god.
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It is hard to distinguish exactly when this combination happened, but
references to Amun-Ra appeared in pyramid texts as early as the Fifth
Dynasty.
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The most common belief is that Amun-Ra was invented as a new
state-deity by the Theban rulers of the New Kingdom to unite
worshippers of Amun with the older cult of Ra around the 18th Dynasty.
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Amun-Ra was given the official title "King of the Gods" by
worshippers, and images show the combined deity as a red-eyed man with
a lion's head that had a surrounding solar disk.
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See more at
Ra - Wikipedia.
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Chapel of Ra-Horakhty (Plan No. G)
Ra was portrayed as a falcon and shared characteristics with the sky-god
Horus. At times, the two deities were merged as Ra-Horakhty, "Ra, who is
Horus of the Two Horizons".
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In later Egyptian mythology, Ra-Horakhty was more of a title or
manifestation than a composite deity. It translates as "Ra (who is)
Horus of the Horizons". It was intended to link Horakhty (as a
sunrise-oriented aspect of Horus) to Ra. It has been suggested that
Ra-Horakhty simply refers to the sun's journey from horizon to horizon
as Ra, or that it means to show Ra as a symbolic deity of hope and
rebirth.
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He is proclaimed king of the gods in the tomb of Horemheb. Pharaoh
Thutmose III dedicated the pillars of Heliopolis to Horakhty.
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See more at
Ra - Wikipedia.
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Crossing the Chapel of Osiris (Plan No. D) towards Osiris Hall (Plan
No. a).
The stele of the Chapel of Osiris (Plan No. D) was removed, creating a
door that connects to the back, with Osiris Hall (Plan No. a).
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Osiris Hall (Plan No. a) and Room (Plan No. b)
Osiris Hall (Plan No. a) is 21 m (69 ft) long and 10 m (33 ft) wide,
divided into three naves by two rows of five columns, to which is added
another Room (Plan No. b) of the same width, but much less depth, with
four columns.
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At the north-west end of Osiris Hall (Plan No. a) there are three
chapels (Plan No. c, d, e).
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Likewise, at the south-east end of the Room (Plan No. b) there are
three chapels (Plan No. f, g, h).
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Osiris Hall (Plan No. a) is decorated with paintings relating to the
myth of Osiris.
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The three chapels are dedicated, one, the central one, (Plan No. d) to
Osiris-Seti, the other two to Isis (Plan No. c) and to Horus (Plan No.
e).
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Crossing from the Second Hypostyle Hall (Plan No. B) to the Vestibule
with three columns (Plan No. j).
The Second Hypostyle Hall (Plan No. B) communicates to the southeast
with the Vestibule with three columns (Plan No. j).
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Vestibule with three columns (Plan No. j)
The Vestibule with three columns (Plan No. j) has beautiful unpainted
reliefs and has two chapels.
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The chapel on the left is consecrated to Ptah-Sokar-Osiris (Plan No.
10).
- The chapel on the right is dedicated to Nefertem (Plan No. 11).
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Corridor of the Kings (Plan No. 9)
To the left of the door that gives access to the Vestibule with three
columns (Plan No. j), there is a 25 m (80 ft) long corridor, slightly
ascending, which communicates with a set of rooms.
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The ceiling of the corridor is decorated with symmetrically arranged
stars and cartouches.
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The wall on the right is decorated with three paintings. The left wall
is decorated with four paintings.
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On the right side, while his son recites formulas, Seti offers incense
to the cartouches of seventy-six pharaohs chosen from among those who
reigned in Egypt since Menes and enriched the sanctuaries. This is one
of the two famous Abydos Tables.
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See more at
Abydos King List - Wikipedia.
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Staircase (Plan No. k)
In the middle of the Corridor of the Kings (Plan No. 9), on the right
side, there is a Staircase (Plan No. k) that leads to the terrace that
leads to the Osirion (Plan No. 3). The walls are decorated with large
paintings.
- On the right wall:
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Ramesses II and one of his sons hunt the bull with the lasso, thus
making a prelude to the sacrifice.
- The sacrifice.
- Ramesses II takes the barque of Seker before his father.
- Adoration of Osiris-Seti by Ramesses.
- On the left wall:
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Ramesses II leads the four sacrificial oxen to his father, next to
which is the god Khonsu.
- Ramesses II walks the perimeter of the temple.
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Ramesses II presides over the waterfowl hunt and presents his
capture to Amun and Mut.
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One of the pictures on the rising walls depicts Ramesses
congratulating his father on the construction of the temple and
contains a speech from the goddess Seshat standing at the other end of
the scene.
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Osireion (Plan No. 3)
The cenotaph of Seti I or Osireion (Plan No. 3) is built on the axis of
the Temple (Plan No. 1). The back walls of the two monuments are only
3.50 m (11.48 ft) apart.
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The general layout of the Osireion reproduces the primitive hill of
the creation of the world.
- Built by Seti I it was finished by Merneptah.
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It is built in white limestone and reddish sandstone, red granite was
only used for the pillars and some door frames.
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Entrance (Plan No. 12) to the Osireion
The normal Entrance (Plan No. 12) to the Osireion (Plan No. 3) is in the
northwest.
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It begins with a Long vaulted corridor (Plan No. 13) with 32 m (105
ft) that was perhaps covered in limestone slabs and, without
transition, the walls are built of stoneware. The east wall is covered
with texts from the 'Book of What is in the Underworld'. The west wall
is covered in texts from the 'Book of Gates'.
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After an antechamber, or First Vestibule (Plan No. 14), followed by a
Small room (Plan No. 15), both covered with religious texts, a Second
corridor (Plan No. 16), at right angles to the first, leads, in a
northeast direction, to the Great Vestibule (Plan No. 17), a
transversal hall measuring 20 m (66 ft) by 6 m (20 ft), with a
humpback roof and whose decoration is taken from the 'Book of the
Dead'.
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In the middle of the northeast wall of the Great Vestibule (Plan No.
17) is a Large door (Plan No. 18) forming a corridor; the jambs were
covered with texts taken from the 'Book of the Dead'.
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Central Hall (Plan No. 19) of the Osireion
After the Portal (Plan No. 18) is the Central Hall (Plan No. 19)
measuring 30.5 m (100 ft) by 20 m (66 ft), the Osireon proper, which is
designed as an island surrounded by a canal. No points allow access to
this island.
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The canal that surrounds it is bordered, on the outside, by a wall in
which seventeen niches are arranged, served by a narrow cornice
passage above the canal.
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Two stairs, one at each end, start from the bottom of the channel and
access the island on the axis of which the ground is excavated by two
cavities that would have been intended to receive, one the
sarcophagus, the other the canoptic jars.
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On each of the long sides of the island, five enormous granite pillars
stand. They support architraves on which the ceiling slabs would rest,
if there was a ceiling.
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Large transverse hall (Plan No. 20) of the Osireion
The monument ends in a Large transverse hall (Plan No. 20), of
dimensions approximately similar to that of the Great Vestibule (Plan
No. 17).
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The humpback roof has a wonderful light relief engraving of
astronomical representations: Nut, the goddess of Heaven, the path of
the sun, the star rises.
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Various texts, among others, the rule for building a solar clock.
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Modern staircase (Plan No. 21) to the Osireion
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Leaving the Temple of Seti I
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See also
Sources
Location