The Mortuary Temple of Ramesses III at Medinet Habu was an important New
Kingdom period temple structure in the West Bank of Luxor in Egypt.
Aside from its size and architectural and artistic importance, the temple is
probably best known as the source of inscribed reliefs depicting the advent
and defeat of the Sea Peoples during the reign of Ramesses III.
In front of the Mortuary Temple of Ramesses III (left) and the Temple
of Amun (right).
Today, the Mortuary Temple of Ramesses III is best known for the Temple
of Millions of Years of Ramesses III, which was built near the Temple of
Amun of Djemé.
- It is this temple that gave its name to the site.
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Medinet Habu Temples Plan.
Plan Legend:
- Crenellated wall
- Royal pavilion of Ramesses III
- Temple of Amun
- Taharqa Gate
- Sacred lake
- Chapels of the Divine Adorers
- Nectanebo Gate
- Nilometer
- Wall of Ramesses III
- Royal palace
- Mortuary Temple of Ramesses III
Temple of Amun
- Roman courtyard and Portico
- Great Ptolemaic pylon
- Chapel, colonnade of Nectanebo I
- Shabaka pylon
- Fourth courtyard
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Sanctuary
- Small chamber in the background
- Small chamber in the background
- Small chamber in the background
- Central background chapel or sanctuary
- Naos in pink granite
- Small chamber isolated
- Hakor (Achoris) chamber
Royal Pavilion of Ramesses III
- Internal facade
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Fortress
- Right wing: sacrifice of captives
- Left wing: military scene
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Ramesses III leads two daughters of prisoners to the god Amun
- Analogous scene
- Ramesses III makes offerings
- Ramesses III makes offerings
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Ramesses III is led into the presence of Amun by Montu and Aten
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Ramesses III is led before Amun by Mut and receives the crown
- Guard house
Chapels of the Divine Adoratrices of Amun
- Chapel of Amenirdis I
- Chapel of Shepenupet II and Nitiqret
Mortuary Temple of Ramesses III
- First pylon
- First courtyard
- Second pylon
- Second courtyard
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Great hypostyle hall
- Five treasure rooms
- Chapel closed by a grille
- Chapel of offerings
- Chapel of Ptah-Sokar-Osiris
- Chapel of Ramesses III deified
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Second hypostyle hall
- Royal chapel
- Chamber with two columns
- Chamber with astronomical ceiling
- Chamber with Egyptian Elysian Fields
- Chapel of Ramesses III
- Courtyard
- Temple of Ra-Harmakhis
- Third hypostyle hall
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Central sanctuary
- Mut Chapel
- Konsu Chapel
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Mortuary Temple of Ramesses III
Entrance to the Mortuary Temple of Ramesses III
Triumphal entrance gate, completely military in character, imitating the
Asian fortresses that Ramesses III had besieged.
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In the center we can see the two guard houses (J-J'). The guard's
house on the left (J) has two windows, and the one on the right (J')
only has one window.
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On the right side of the photo we can see the western end of the Great
Ptolemaic pylon (B) of the Temple of Amun (3).
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Crenellated wall (1)
The set of buildings at Medinet Habou is surrounded by a thick wall made
of raw brick, dating back to Ramesses III. The vast majority of it
persists.
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This wall is open at the level of the Temple of Amun to make way for
several buildings added to this temple from the kingdom of Shabaka
until Roman times.
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This wall, dating from Ramesses III, is duplicated to the south by a
crenellated wall (1), also interrupted by the advance of constructions
from the Low Period.
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Triumphal entrance gate (2)
The two towers were initially 22 m (72 ft) high. The facade wall is
built on an embankment. Below, there is a bench on which were colossal
statues that have now been destroyed.
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(a): The right wing represents the sacrifice of captives to the god
Harmakhis carried out by King Ramesses III. The captives are
personified by the seven leaders of the defeated peoples.
- (b): Similar scene.
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(c): Ramesses III leads two daughters of the prisoners to the god
Amun. Above, he offers incense and libation to Seth and a goddess.
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(d): Analogous scene. Above, Ramesses III offers Amun-Ra and Maat a
statuette of Amun.
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(e): Below, Ramesses III offers flowers to Amun and Tefnut. Above, he
offers wine to Aten and a goddess.
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(f): Below, the king offers the Truth to Ptah and Sekhmet. Above, he
offers incense and libation to Thoth and Sheshat of Hermopolis.
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(g): The king is led into the presence of Amun by Montu and Aten.
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(h): The king is led into the presence of Amun by Mut and receives the
crown, while Thoth marks off the years of the reign on the reed rod.
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Statues of Sekhmet
The two black granite statues of Sekhmet placed here were found outside
the temple.
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Chapels of the Divine Adorers (left), Mortuary Temple of Ramesses III
(center) and Temple of Amun (right)
After passing through the triumphal gate (2), we find the Chapels of the
Divine Adorers (6) on the left, the Mortuary Temple of Ramses III (11)
in the center and the Temple of Amun (3) on the right.
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In the center of the photo, slightly to the right, is the Nectanebo
Gate (7).
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West side of the Temple of Amun (3)
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Chapels of the Divine Adorers (6)
The Chapels of the Divine Adorers are composed of two aediculae (K, L)
next to each other. These aediculae contain the funerary chapels of
queens and princesses who were Divine Adorers of Amun from the 25th and
26th dynasties.
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(K): The southernmost chapel (left) is the temple of Amenirdis I,
daughter of Pharaoh Kashta and Queen Pebatjma. It consists of a
pronaos or courtyard with a portico, whose four columns are now
destroyed, and a sanctuary surrounded by a corridor. In the offering
panels on the façade we can see Amenirdis I in the presence of Amun
and Hathor, and of Amun and Mut, and the princess sitting before the
offering table. Inside the pronaos, another Divine Adorer, Shepenupet
II, is depicted worshipping Amenirdis I. The corridor is decorated
with mythological scenes taken from various rituals, notably the 'Book
of the Opening of the Mouth', and scenes containing a list of
offerings. The sanctuary has a dome (it is the oldest example of a
dome in dressed stones) and is ornamented with scenes where Amenirdis
I is depicted receiving offerings.
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(L): The other aedicule (right) has two entrances on the façade. It
consists of a courtyard serving three chapels. The central chapel
belongs to Shepenupet II, daughter of Piye, the first Kushite pharaoh.
The chapel on the right belongs to Queen Mehytenweskhet (who was not a
Divine Adorer) wife of Pharaoh Psamtik I. The chapel on the left
belongs to her daughter Nitocris I, daughter of Pharaoh Psamtik I, by
his queen Mehytenweskhet. The decoration of the three chapels consists
of genealogical inscriptions and scenes of offerings. The texts
engraved inside include numerous formulas from the Pyramid Texts and
the Coffin Texts.
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See more at
Divine Adoratrice of Amun - Wikipedia,
Amenirdis I - Wikipedia
and
Shepenupet II - Wikipedia
and
Mehytenweskhet - Wikipedia
and
Nitocris I - Wikipedia.
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Temple of Amun (left), monumental entrance (center) and chapels of
the divine worshipers (right)
In this photo, taken from north to south, we can see the Temple of Amun
(3) on the left side, the monumental entrance (2) in the center, and the
chapels of the divine adorers (6) on the right side.
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The inner facade (H) of the monumental entrance (2) shows the king
leading captives to the god Amun.
- On the left side, he takes two girls in chains.
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On the right side, he grabs the girls by the hair to knock them out.
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First pylon (M) of the Mortuary Temple of Ramesses III (11)
The first pylon (M, M') has a front measuring 63 m (206 ft) wide and 22
m (72 ft) high. The southern massif is only 19 m (62 ft) high.
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It is decorated with warrior representations, common in similar cases,
referring to the victories over the confederated peoples of the
Mediterranean (8th year).
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Crossing the First Pylon (M)
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(M): In the southwest massif (left), Ramesses III sacrifices the
captives before the god Amun who hands him the sword 'khopesh', while
the goddess Wosret, personification of Thebes, holds the bonds of four
captives. Other captives are in the hands of Amun. In between is
recorded the long speech given to the king by the god, which contains
the praise of the sovereign's bravery and victories. Below is the list
of the countries conquered.
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(M'): In the northeastern massif (right), the decoration is similar.
Between the grooves of the masts, inscriptions from the 11th year of
Ramesses III praise the royal bravery against the invaders. In the
list of captives, due to an error, the cartouches contain the names of
African populations while the captives representing them are Asians.
On the doorpost are written two inscriptions by the priest Pinedjem.
The ground is dug with deep tracks due to the passage of the chariots.
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First courtyard (N)
The first courtyard (N) measures 34 m (111 ft) long by 32 m (105 ft)
wide. It is bordered to the northeast by a gallery formed by seven
Osiriac pillars representing King Ramesses III, and to the southwest by
a portico of eight columns with bell-shaped capitals: pillars and
columns are enclosed between two anta pilasters.
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The back of the great pylon is also decorated. The door is surrounded
by religious motifs and only includes paintings that place the king in
the presence of his protective gods.
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(M): The lower part of the wall of the southwest massif is covered
with a military scene. The king, at the head of his mercenary guard
(Sherdens and Tehenus), defeats the Libyans. A massacre is witnessed.
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(M'): The wall of the northeastern massif represents the scene of
triumph: the king, on his grand platform in the middle of his court,
pompously announces his victory and thus provokes the usual admiring
praise in similar cases, while the captives parade, beside whom we can
see countless cut-out tongues.
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The back wall of the right-hand portico is covered with paintings
arranged in two registers. Those on the upper register are religious:
the king makes offerings to various divinities. Those on the lower
register are dedicated to military episodes.
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The back wall of the left portico was the façade of the royal palace
(10). This palace communicated with the temple through three doors and
a balcony platform - the 'Window of the Apparition' - raised 2 m (6.5
ft) and opening in the middle of the wall. From the royal palace, a
staircase led up to this platform from where the king could follow the
processions that took place in the courtyard. The wall is divided into
three panels equally decorated with military scenes.
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On the left, we can see the parade of Ramesses III's infantry. In the
center, on each side of the tribune, a scene of the massacre of the
captives. On the right, a scene of the treatment and training of the
horses, and of fighting, where we can see movements similar to those
of judo.
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Second pylon (O)
The second pylon (O, O') is only 16 m (52 ft) high.
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Its facade, which forms the background of the first courtyard (N), is
also dedicated to the military feats of Ramesses III.
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The long 36-line text engraved on the northeast massif (O') is
particularly interesting from this point of view.
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The portal of the second pylon is framed in pink and black granite
with scenes of offerings.
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It is preceded by a ramp over 9 m (30 ft) long that was flanked on
each side by a colossal statue.
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Second courtyard (P)
The second courtyard measures 38 m (125 ft) by 41 m (135 ft) and has a
greater effect than the previous courtyard. It is bordered, on the back
of the pylon and at the bottom, by porticos with eight Osiriac pillars
each, and on the flanks, by porticos with five columns with closed
capitals. Important areas of color can still be seen on the columns,
ceilings and bas-reliefs of the four porticoes. The Osiriac pillars (the
Osiris are destroyed, except two in the north) and the columns of the
porticos are ornamented with pictures representing the king in the
presence of various deities.
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The decoration of the back walls of the porticos forms a double series
of representations.
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The first series starts on the left side as you enter the
courtyard, then continues along the side wall to the back porch. It is
military at the bottom, and religious at the top. Starting at the door
of the pylon:
- Ramesses in the presence of Amun.
- Battle against the confederates.
- Number of hands and sexes cut off.
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Triumphant return of the king with his troops and his captives that
he himself holds with a noose.
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Offering of the captives. This painting is accompanied by a long
text dating from the 5th year and containing praise for the king's
bravery.
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The two religious records reproduce the ceremonies of the
Sokar-Osiris festival with the procession and worship of this god's
boat.
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The second series begins on the right side wall, at the end of
the courtyard, at the angle of the portico, then returns to the door
of the second pylon. It represents, below, the worship and procession
of the boat of the Theban triad, and above, the departure of the god
Min in six pictures:
- Departure from the royal palace.
- Arrival of the king at the sanctuary.
- Procession of the image of Min preceded by the white bull.
- Sending birds to the four cardinal points.
- Sectioning the sheaf of wheat.
- Offerings to Amun-Min.
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Portico at the back of the second courtyard (P)
The portico at the back of the second courtyard (P) is accessed by 16
steps forming a gentle 8.6 m (28.2 ft) ramp flanked by two colossi that
have now disappeared.
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It has the particularity that the row of columns is preceded by
another row of papyriform columns.
- The wall is decorated with scenes of offerings.
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Above the basement the children of Ramesses III are represented, as in
the Ramesseum for the children of Ramesses II.
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Those who reigned later added their cartridges: they were Ramesses IV,
Ramesses VI, Ramesses VII and Ramesses VIII.
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Great hypostyle hall (Q)
The great hypostyle hall (Q) is 26.45 m (86.77 ft) wide by 18.95 (62.17
ft) m deep. Of the twenty-four columns that supported the roof, only the
bases remain. From this room onwards the temple is very ruined, having
been exploited as a quarry.
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(a): Five rooms, located southwest of the large hypostyle room, were
reserved for the Treasury, as is attested by the scenes represented:
Ramesses III makes offerings to Amun of precious vessels, of coffers
worked with lids in the shape of a king or of sacred animals ,
precious stones in bags, musical instruments, jewelry in precious
metals, pieces of gold, etc.
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(b): Next door, a chapel (closed with a grille) is consecrated to the
deified Ramesses II.
- (c): On the opposite side, there is the offering chapel.
- (d): Ptah-Sokar-Osiris chapel.
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(e): In the northeast angle is the chapel of deified Ramesses III.
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Second hypostyle hall (R)
The second hypostyle hall (R) also has a number of chambers.
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Second hypostyle hall (R) chambers
- (f): Royal chapel, in the southwest.
- (g): Chamber with two columns.
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(h): Chamber with a volute decorated with astronomical
representations.
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(i): Chamber with representation of the Egyptian Elysian Fields where
the king works, on the right wall.
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(j): Chamber with representation of the seven cows lying down, on the
left wall, from the 'Book of the Dead'. This is the chapel of Ramesses
III.
- (k): On the opposite side, a courtyard.
- (l): Chapel of Ra-Haremakhet.
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Third hypostyle hall (S)
The third hypostyle hall (S) gives access to the central sanctuary (T)
whose roof was supported by four pillars. Open front and back, it
presents the characteristics of a boat rest.
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It is flanked by chapels of Mut (m) and Khonsu (n), where two groups
meet: the king and Thoth, the king and Maat.
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Most of these chapels have crypts hidden in the thickness of their
foundations; in Saitan times, they were used as tombs.
- As for the terraces, they were of three different levels.
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Temple of Amun
Temple of Amun (3) portico (A')
The characteristic of this building, as of all temples of the 18th
dynasty, is elegance. It is very small, compared to the monument of
Ramesses III, but it is well proportioned and designed on an ingenious
plan.
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This temple dates back to Amenhotep III. It was continued by Thutmose
I, then considerably enlarged by his successor Thutmose II.
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Originally this temple had its own precinct. This was later
incorporated into the great temple precinct of Ramesses III.
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A monumental entrance was built to it, consisting of a large pylon (B)
erected by Ptolemy IX Soter II and Ptolemy XIII Neos Dionysos, in
front of which Antoninus the Pius built a kind of open-air advanced
body (A'), preceded by a courtyard (A).
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Temple of Amun (3) seen from the northwest
The Temple of Amun (3) consists of a cella-shaped sanctuary (a)
surrounded by an outer gallery (b), supported to the north by six small
chambers (c-h).
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Two side chambers give this complex, preceded by a courtyard (E) and a
pylon (D), the shape of a Latin cross. This courtyard (E) is 19 m (62
ft).
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In front of this courtyard (E), an antebellum was built for the cult
of Amun and the eight gods of Hermopolis. Later, Nectanebo I, one of
the last pharaohs, completed it in a chapel (C) like the one he built
at Philae.
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See also
Source
Location