Skip to main content

Mortuary Temple of Amenhotep III, Luxor

The Mortuary Temple of Amenhotep III is located on the Western bank of the Nile river, across from the Eastern bank city of Luxor, Egypt.

The mortuary temple's primary purpose was as a place for offerings for Amenhotep III for after his passing and movement into the afterlife.

The whole temple also symbolizes a mound and the "emergence of the world from the primeval waters of creation" every time the Nile river flooded the temple, since the Egyptians believed that the Earth was formed by a mound emerging from the water. Therefore, it is believed that the temple was intentionally built on a flood plain so this ideology could come true.

Amenhotep III wanted to be revered as a god on Earth, not just in the afterlife. He built this enormous mortuary temple to leave a legacy that he was a living god who ruled on Earth.

Examining the remains within the temple, the temple indicates the unification of Egypt and the Sed Festival of Amenhotep III. The statues found within the temple were used during rituals commonly found within the Sed Festival; however, relief fragments show that the temple was not yet standing during Amenhotep III's first Sed Festival. A time frame for when a celebration at a later date may have occurred within the temple is II peret 29 or III peret 1. These celebrations took place in a courtyard within the temple during the last ten years of Amenhotep III's reign. The importance of the Sed Festival is that it portrays a reenactment of the unification of Egypt.

To further reinforce the idea of unification, building materials from both Upper and Lower Egypt were used, which demonstrates Amenhotep III maintained sema-tawy (unification) of both lands.

Additionally, Amenhotep III established the idea of Maat (justice and peace) over Islet (chaos) by having the statues of fauna, and therefore having control over them, as well as depicting bound Egyptian enemies (such as the Nubian, Asiatics, Mesopotamians, Aegeans and Hittites) next to statues of himself.

Approaching the main entrance of the temple
The mortuary temple is located on the Western bank of the Nile river, across from the eastern bank city of Luxor.

  • During its time, the Mortuary Temple of Amenhotep III was the largest funerary complex in Thebes that was built.
  • Only parts of the mortuary temple's layout remain, as well as the Colossi of Memnon, which are two large stone statues placed at the entrance.
  • Because the mortuary temple was built relatively close to the river, the annual flooding caused the site to decay at a more rapid rate.
  • New research indicates that a large majority of the destruction on the mortuary temple can be attributed to the effects of an earthquake.
  • It was long speculated that the earthquake occurred around 27 BCE; however, investigations into the mortuary temple and surrounding colossi have debunked this time frame and instead have demonstrated it occurred around 1200 BCE. Additional earthquakes after the one in 1200 BCE have not been ruled out.

Mortuary Temple of Amenhotep III Plan
Plan Legend:

  1. Colossi of Memnon
  2. First pylon
  3. First courtyard
  4. Second pylon
  5. Second courtyard
  6. Third pylon
  7. Hypostyle hall
  8. Remaining stelae
  9. Peristyle Sun court
  10. Temple of Ptah-Sokar-Osiris
  11. Remaining statues
  12. Mudbrick enclosure wall

Front of the mortuary temple
The temple faced to the east, which is most likely due to the sun rising in the east, since Amenhotep III revered the sun god Amun.

  • At the front of the mortuary temple, the Colossi of Memnon (1) can be found, and as one enters, the long Hypostyle Hall (7) leads to the Peristyle Sun Court (9), and the whole area is surrounded by three pylons (2, 4 and 6), also known as gates.
  • The Sun Court (9) is divided into the north and south halves and consisted of statues of both Amenhotep III and the gods.
  • The north side had brown quartzite statues from Lower Egypt, while the south side had red granite statues from Aswan in Upper Egypt.

Northern colossus
The Colossi of Memnon (1) are two massive stone statues of the Pharaoh Amenhotep III, which stand at the front of the ruined Mortuary Temple of Amenhotep III.

  • They have stood since 1350 BC, and were well known to ancient Greeks and Romans, as well as early modern travelers and Egyptologists. The statues contain 107 Roman-era inscriptions in Greek and Latin, dated to between 20 and 250 CE; many of these inscriptions on the northernmost statue make reference to the Greek mythological king Memnon, whom the statue was then – erroneously – thought to represent.

Southern colossus
The twin statues depict Amenhotep III in a seated position, his hands resting on his knees and his gaze facing eastwards towards the river. Two shorter figures are carved into the front throne alongside his legs: these are his wife Tiye and mother Mutemwiya. The side panels depict the Nile god Hapi.

  • The statues are made from blocks of quartzite sandstone which was quarried at el-Gabal el-Ahmar (near modern-day Cairo) and transported 675 km (420 mi) overland to Thebes (Luxor). The stones are believed to be too heavy to have been transported upstream on the Nile. The blocks used by later Roman engineers to reconstruct the northern colossus may have come from Edfu (north of Aswan).
  • Including the stone platforms on which they stand – themselves about 4 m (13 ft) – the colossi reach 18 m (60 ft) in height and weigh an estimated 720 tons each. The two figures are about 15 m (50 ft) apart.
  • Both statues are quite damaged, with the features above the waist virtually unrecognizable. The southern statue comprises a single piece of stone, but the northern figure has a large extensive crack in the lower half and above the waist consists of 5 tiers of stone. These upper levels consist of a different type of sandstone, and are the result of a later reconstruction attempt, which William de Wiveleslie Abney attributed to Septimius Severus. It is believed that originally the two statues were identical to each other, although inscriptions and minor art may have varied.

See also


Sources


Location