Aveiro

Aveiro is a coastal city in central Portugal, often referred to as the Venice of Portugal because of its picturesque canals and brightly painted moliceiro boats.

The city lies along the Ria de Aveiro lagoon, which historically supported salt production, seaweed harvesting, and fishing. Today, Aveiro is a municipality with a population of around 80,000, blending maritime heritage with modern industry and a vibrant university community.

The city center is notable for its Art Nouveau architecture, pastel-colored houses, and lively atmosphere. Visitors often enjoy canal boat tours, strolls through charming streets, and sampling the local pastry known as ovos moles, a sweet made from egg yolks and sugar. Aveiro also offers cultural landmarks such as the Mosteiro de Jesus, a convent dating back to the 15th century that houses religious art and historical treasures.

Beyond the city, Aveiro’s surroundings add to its appeal. The nearby Costa Nova is famous for its striped fishermen’s cottages and sandy beaches along the Atlantic coast. The salt flats and natural landscapes around the lagoon provide unique scenery and opportunities for exploration. With its mix of tradition, coastal beauty, and youthful energy, Aveiro has become a popular destination for day trips and short stays in Portugal.

Suggested Car Tour: Aveiro → Pateira de Fermentelos → Ílhavo → Vista Alegre → Vagos → Vagueira → Costa Nova → Barra → Aveiro. Route Length: 85km (53mi).

Aveiro

Suggested walking tour in Aveiro
Praça do Peixe → Fontanário → Capela de São Gonçalinho → Praça Dr. Joaquim de Melo Freitas → Canal Central → Canal das Pirâmides → Barcos moliceiros → Jardim do Rossio → Ponte de Carcavelos → Museu de Aveiro → Catedral de São Domingos → Cruzeiro → Igreja de Santo António e Igreja de São Francisco (antigo Convento de Santo António)

Fish Market
The Fish Market in Aveiro, known as Mercado do Peixe, is located in the heart of the city at Largo da Praça do Peixe.

It has long been a central hub for the local fishing community, with roots tracing back to the 19th century when Aveiro’s fishing industry flourished. Fishermen would bring their daily catch directly from the nearby Ria de Aveiro lagoon, making the market a lively and authentic place to experience the city’s maritime traditions. Today, the covered market continues to showcase fresh seafood, offering visitors a glimpse into the daily rhythm of local commerce.
Beyond its role as a marketplace, the Fish Market has become a cultural and culinary attraction. The upstairs restaurant, Restaurante Mercado do Peixe, allows visitors to taste freshly prepared dishes made from the same seafood sold downstairs. The surrounding square, Largo da Praça do Peixe, is also known for its vibrant atmosphere, charming architecture, and dining options that extend beyond seafood. Together, the market and its square embody Aveiro’s blend of tradition and modern leisure, making it a popular stop for both residents and tourists.
See more at Largo da Praça do Peixe - Wikipedia.
Photograph by CardosoSousa1988 distributed under a CC-BY 4.0 license.

Fountain
The fountain in Praça do Peixe, Aveiro, was constructed in 1876 and served as a vital water source for the bustling fish market square.

Designed by engineer João Honorato da Fonseca Regala, it was strategically placed to support the daily activities of fishermen and traders who brought their catch from the nearby Ria de Aveiro lagoon. Built from limestone sourced from Outil and Ançã, the fountain reflects the city’s adaptation to limited local resources, as Aveiro itself lacked suitable stone. Its presence not only provided practical utility but also became a social landmark in the heart of the square.
Over time, the fountain has taken on symbolic importance, representing the historical connection between Aveiro’s fishing traditions and its urban development. Situated prominently in the square, it complements the surrounding architecture and the Mercado do Peixe building, creating a focal point for both residents and visitors. Today, while no longer essential as a water source, the fountain remains a heritage feature that adds character to Largo da Praça do Peixe, embodying the city’s maritime past and its enduring cultural identity.
See more at Largo da Praça do Peixe - Wikipedia.
Photograph by José Luis Filpo Cabana distributed under a CC-BY 3.0 license.

Chapel of São Gonçalinho
The Chapel of São Gonçalinho, built in the early 18th century, is one of Aveiro’s most distinctive landmarks.

Located in the Beira-Mar neighborhood, it is dedicated to São Gonçalo de Amarante, affectionately called São Gonçalinho by locals. The chapel is hexagonal in shape, with a tiled dome and a whitewashed facade that stands out among the colorful houses surrounding it. Classified as a Monument of Public Interest since 2011, it reflects both religious devotion and the architectural charm of the city.
The chapel is especially famous for the annual São Gonçalinho festival held every January. During this celebration, devotees fulfill promises to the saint by throwing cavacas, traditional hard pastries, from the chapel’s balcony to the crowd below, who catch them with nets, umbrellas, or bare hands. The festivities also include the “Dança dos Mancos,” a humorous dance performed by people pretending to limp, symbolizing the saint’s association with healing leg ailments. This unique blend of faith, tradition, and playful community spirit makes the Chapel of São Gonçalinho a cultural icon of Aveiro.
See more at Capela de São Gonçalo (Vera Cruz) - Wikipedia.
Photograph by David Machado distributed under a CC-BY 3.0 license.

São Gonçalinho
São Gonçalinho, affectionately known in Aveiro as the local form of São Gonçalo de Amarante, is a saint deeply tied to popular devotion and tradition.

The small Chapel of São Gonçalinho, built in the 18th century in the Beira-Mar neighborhood, serves as the focal point of this devotion. The saint is associated with healing ailments, particularly those of the legs, and is revered by the fishing community and residents of Aveiro. His figure embodies both religious faith and the playful, communal spirit that characterizes the city’s cultural identity.
The festivities in honor of São Gonçalinho take place every January and are among the most unique celebrations in Portugal. Devotees fulfill promises to the saint by throwing cavacas, hard sugar-coated pastries, from the chapel’s balcony to the crowd below, who eagerly try to catch them with nets, umbrellas, or their hands. The event also features the humorous “Dança dos Mancos,” a dance performed by participants pretending to limp, symbolizing the saint’s healing powers. Music, processions, and community gatherings add to the lively atmosphere, making the São Gonçalinho festivities a blend of faith, tradition, and joyful spectacle that continues to attract locals and visitors alike.
See more at Gonçalo de Amarante - Wikipedia and Festas em honra de São Gonçalinho - Wikipedia.
Photographs by Joseolgon, distributed under a CC-BY 3.0 license.

Canal Central
Canal Central is the main waterway running through the city of Aveiro, forming part of the urban canals of the Ria de Aveiro.

It stretches through the downtown area, beginning at Jardim do Rossio and passing notable landmarks such as the former Capitania do Porto de Aveiro building and the Jerónimo Pereira Campos factory, now the Centro de Congressos de Aveiro. This canal is one of five that shape the city’s identity, alongside the Canal do Côjo, Canal das Pirâmides, Canal de São Roque, and Canal dos Santos Mártires. It is the most prominent of them all, serving as a focal point for both locals and visitors who cross its bridges or admire its waterside scenery.
Tourism thrives along Canal Central, with traditional moliceiro boat rides offering a 45‑minute journey that highlights Aveiro’s architecture, monuments, and vibrant atmosphere. These colorful boats, once used for harvesting seaweed, now provide a cultural and leisurely experience that connects the city’s maritime past with its modern appeal. The canal’s location in the heart of Aveiro makes it a natural gathering place, where the charm of the waterways blends seamlessly with the surrounding cafés, shops, and historic buildings. As such, Canal Central is not only a practical waterway but also a symbol of Aveiro’s unique character and its reputation as the “Venice of Portugal”.
See more at Canal Central - Wikipedia.
Photograph by Gabriel González distributed under a CC-BY 2.0 license.

Canal das Pirâmides
Canal das Pirâmides is one of the five main canals that shape the city of Aveiro, connecting the urban center to the wider Ria de Aveiro lagoon.

Its name comes from the stone pyramids that mark the entrance to the canal, originally built as navigational aids for boats entering and leaving the lagoon. These pyramids stand as distinctive landmarks, symbolizing Aveiro’s maritime heritage and guiding vessels through the waterways that have long sustained the city’s fishing and salt industries. The canal itself plays a practical role in linking Aveiro’s inland areas with the lagoon and the Atlantic Ocean beyond.
Today, Canal das Pirâmides is not only functional but also part of Aveiro’s cultural and touristic identity. Moliceiro boat tours often pass through this canal, allowing visitors to appreciate the pyramids and the surrounding scenery. The area highlights the blend of natural and man-made elements that define Aveiro’s landscape, with the pyramids serving as reminders of the city’s reliance on its waterways for trade, fishing, and transport. As such, Canal das Pirâmides embodies both the historical significance and the modern charm of Aveiro’s canal system.
See more at Canal das Pirâmides - Wikipedia.
Photograph by Gabriel González distributed under a CC-BY 2.0 license.

Moliceiro boats
Moliceiro boats are traditional vessels unique to Aveiro, originally designed for harvesting moliço, a type of seaweed used as fertilizer in local agriculture.

These boats are long and narrow, with a shallow draft that made them ideal for navigating the lagoon waters of the Ria de Aveiro. Their most distinctive feature is the brightly painted prows and sterns, often decorated with humorous or satirical scenes, religious motifs, or depictions of daily life. This artistic tradition has turned moliceiros into cultural icons, representing both the maritime heritage and the creativity of the region.
Today, moliceiro boats are primarily used for tourism, offering rides through Aveiro’s canals that last around 45 minutes and showcase landmarks such as Art Nouveau buildings, salt flats, and the fishermen’s quarter. These tours allow visitors to experience the city’s charm while learning about its history and traditions. The transformation of moliceiros from workboats into leisure vessels reflects Aveiro’s evolution from a fishing and agricultural hub into a destination celebrated as the “Venice of Portugal.” Their continued presence on the canals ensures that the legacy of Aveiro’s waterways remains alive and accessible to all.
See more at Moliceiro - Wikipedia.
Photograph by Kounilig distributed under a CC-BY 4.0 license.

Jardim do Rossio
Jardim do Rossio is a central garden in Aveiro, located at the edge of the Beira-Mar neighborhood and bordered by Canal Central and Canal das Pirâmides.

Historically, this area was reclaimed from marshland and salt flats through successive landfills, allowing the city to expand south and west. It became an important civic space, hosting events such as the Feira de Março until 1979, as well as temporary structures like velodromes and bullfighting arenas. Archaeological excavations have revealed the foundations of the 17th‑century Chapel of São João, demolished in 1910, which may be integrated into a museum in the future.
Today, Jardim do Rossio is one of Aveiro’s most popular leisure areas, offering views of the canals, Art Nouveau buildings, and the city center. It serves as a departure point for moliceiro boat rides and regularly hosts local fairs featuring crafts, books, and art. The garden is also a pleasant spot for walking, relaxing, or enjoying the sunset, making it a natural gathering place for both residents and visitors. Its combination of historical significance and modern use highlights Aveiro’s unique character as a city shaped by its waterways and cultural traditions.
See more at Jardim do Rossio - Wikipedia.
Photograph by Mister No distributed under a CC-BY 3.0 license.

Carcavelos bridge
The Carcavelos bridge, also known as Ponte dos Carcavelos, is one of the most emblematic bridges in Aveiro.

Built in 1943 over the Canal de São Roque, it replaced an older structure that had collapsed in 1942. Painted in a distinctive yellow color and adorned with balustrades and the city’s coat of arms, the bridge quickly became a landmark. Its name originates from a nearby salt marsh called Carcavelos, reflecting the deep connection between Aveiro’s waterways and its salt production heritage. Historically, it was a vital crossing point for workers heading to the salt pans, making it both a functional and symbolic structure.
Over the years, Carcavelos bridge has also gained a reputation as a romantic spot, earning the nickname “Ponte dos Namorados.” Couples often visit to enjoy the sunset views over the salt flats, and photographs taken here are considered keepsakes of strengthened relationships. Today, the bridge remains a popular attraction for visitors exploring Aveiro’s canals, often admired during moliceiro boat rides that pass beneath it. Its blend of historical significance, architectural charm, and cultural symbolism makes Carcavelos bridge a key feature of Aveiro’s identity.
See more at Canal de São Roque - Wikipedia.
Photograph by tjabeljan distributed under a CC-BY 2.0 license.

Facade of the Aveiro Museum
The facade of the Aveiro Museum, housed in the former Monastery of Jesus, is a striking example of Portuguese religious architecture.

Dating back to the 15th century, the monastery was originally built for Dominican nuns and later became closely associated with Princess Saint Joana, who lived there until her death in 1490. The exterior reflects the Gothic and Manueline styles of its time, with a sober yet elegant design that emphasizes verticality and symmetry. Its stonework and portal details highlight the craftsmanship of the period, while the overall structure conveys the solemnity of a monastic institution.
Over the centuries, the facade has undergone preservation and restoration, ensuring that its historical character remains intact. Today, it serves as the entrance to the Aveiro Museum, which houses collections of sacred art, artifacts, and exhibits dedicated to Saint Joana. The facade stands as both a historical marker and a cultural gateway, connecting Aveiro’s medieval past with its modern identity as a city that values heritage and tradition. It remains one of the most recognizable landmarks in the city, admired for its architectural significance and its role in preserving the memory of Aveiro’s religious and cultural history.
See more at Mosteiro de Jesus - Wikipedia.
Photograph by David Machado distributed under a CC-BY 3.0 license.

Interior of the Aveiro Museum
The interior of the Aveiro Museum, housed in the former Monastery of Jesus, is a remarkable showcase of Portuguese religious art and history.

The monastery itself dates back to the 15th century and is closely tied to Princess Saint Joana, who lived there until her death in 1490. Within its chapels and cloisters, visitors encounter a blend of Gothic and Manueline architecture, enriched by sacred art collections that span centuries. The museum preserves the atmosphere of devotion and monastic life while presenting Aveiro’s cultural heritage in a curated setting.
Among the most significant treasures is the Tomb of Princess Saint Joana, an elaborate 15th‑century work that reflects her revered status in Aveiro. Nearby lies the Tomb of D. João de Albuquerque, another important example of funerary art from the same period. The museum also houses sculptures attributed to Machado de Castro, one of Portugal’s greatest sculptors, including depictions of the Holy Family and Our Lady of Piety. These works, carved in polychrome wood during the 18th century, highlight the evolution of religious art and the craftsmanship that flourished in Portugal across different eras.
Complementing these pieces is the Portrait of Saint Joana Princess, a 15th‑century painting that offers a rare glimpse into her likeness and reinforces her spiritual legacy. Together, the tombs, sculptures, and paintings create a narrative that intertwines faith, artistry, and history. The interior of the museum thus serves not only as a place of preservation but also as a living testament to Aveiro’s role in Portugal’s religious and cultural identity, where devotion to Saint Joana remains central.
See more at Mosteiro de Jesus - Wikipedia.
Photographs by Manuelvbotelho, distributed under a CC-BY 4.0 license.

Cathedral of Aveiro
The Cathedral of Aveiro, also known as Sé de Aveiro or Igreja de São Domingos, is the city’s main religious monument and the seat of the Diocese of Aveiro.

Founded in 1423 as part of a Dominican convent, it is one of the oldest religious institutions in the city and has been classified as a National Monument since 1996.
The cathedral’s architecture reflects a blend of styles due to centuries of renovations. Its Baroque portal, framed by four Solomonic columns and decorated with floral motifs and the coat of arms of Infante D. Pedro, stands out as a defining feature. Inside, visitors find side chapels with mannerist altarpieces, a Gothic cross of São Domingos, and later additions in modernist style. This mixture of Gothic, Baroque, and Mannerist elements illustrates the building’s long history and the transformations it underwent following the dissolution of monasteries in Portugal in the 19th century, when the convent itself was repurposed and partially destroyed.
The cathedral became the official seat of the Diocese of Aveiro in 1938, following a papal bull by Pope Pius XI. Today, it remains a central place of worship and cultural identity for the city, located near the Aveiro Museum in the historic center. Its chapels preserve valuable religious art, including depictions of Nossa Senhora da Misericórdia, and the building continues to serve as a spiritual and architectural landmark. The Cathedral of Aveiro thus embodies both the city’s medieval origins and its enduring role as a hub of faith and heritage.
See more at Cathedral of Aveiro - Wikipedia.
Photographs by Vitor Oliveira distributed under a CC-BY 2.0 license.

Cruzeiro de São Domingos
The Cruzeiro de São Domingos, also known as the Cruzeiro de Nossa Senhora da Glória, is a late 15th‑century stone cross located in Aveiro, Portugal, originally set in front of the Church of São Domingos, now the city’s cathedral.

Classified as a National Monument since 1910, it represents one of the finest examples of Gothic religious sculpture in the country. The monument was carved in a Coimbra workshop and is notable for its elaborate iconography, which includes continuous reliefs depicting episodes from the Passion of Christ, such as the Agony in the Garden, the Flagellation, and the Way of the Cross. The crucifix itself is adorned with floral motifs like fleurs-de-lis and intricate tracery, while the capitel combines Christian symbols such as the Agnus Dei with mythological creatures, reflecting the stylistic richness of the flamboyant Gothic period.
Today, the cross stands in the Praça do Milenário, in front of the Sé de Aveiro, though the original crucifix and capitel were moved inside the cathedral in the late 20th century for preservation. The replica outside continues to mark the historical and spiritual significance of the site, serving as a reminder of Aveiro’s monastic past and the influence of the Dominican convent that once occupied the area. Its artistic detail and symbolic program make it not only a devotional object but also a cultural landmark, embodying the transition from medieval to Renaissance sensibilities in Portuguese religious art.
See more at Cathedral of Aveiro - Wikipedia.
Photograph by Maragato1976 distributed under a CC-BY 3.0 license.

Convent of Santo António
The Convent of Santo António in Aveiro was founded in 1524 and became one of the city’s most significant religious institutions.

Initially built for the Franciscan order, it underwent major renovations in 1564 that expanded and heightened the church, reflecting the growing importance of the convent in Aveiro’s spiritual life. By the 18th century, the complex had been richly decorated with gilded carvings, painted tiles, and elaborate altarpieces, showcasing the influence of Baroque art in Portugal. The cloister and sacristy were also enhanced during this period, with ornate woodwork and painted screens that added to the grandeur of the site.
The convent’s grounds were later transformed into the Parque Infante D. Pedro in the late 19th century, turning the monastic lands into a public garden while preserving the church and its chapels. Today, the Igreja do Convento de Santo António, along with the twin chapel of São Francisco, stands out for its proto-Baroque facade and its rich interior decoration. It remains a cultural and historical landmark in Aveiro, embodying centuries of religious devotion, artistic patronage, and urban transformation.
See more at Aveiro - Wikipedia.
Photograph by Vitor Oliveira distributed under a CC-BY 2.0 license.

Aveiro → Pateira de Fermentelos
Driving route between Aveiro and Pateira de Fermentelos.

Pateira de Fermentelos

Pateira de Fermentelos
Pateira de Fermentelos is the largest natural lagoon in the Iberian Peninsula, covering about 529 hectares and located between the municipalities of Águeda, Aveiro, and Oliveira do Bairro.

Formed historically as an ancient marine arm where the rivers Cértima, Águeda, and Vouga converged, it later became a freshwater system due to sediment deposits. The lagoon is recognized as a wetland of high ecological value, classified under the RAMSAR Convention and integrated into the Natura 2000 network. Its diverse habitats support numerous protected species, making it an important site for birdwatching, fishing, and ecological research. The balance between human activity, such as traditional agriculture and the collection of aquatic plants for fertilizer, and natural dynamics has shaped a unique landscape that remains vital for biodiversity.
Beyond its ecological significance, Pateira de Fermentelos is also a cultural and recreational landmark. Locals often refer to it as the “enchanted lagoon,” a place for leisure, contemplation, and family outings. Visitors can enjoy walking trails, photography, and water activities while experiencing the tranquil scenery. The lagoon’s integration into the surrounding communities highlights its role not only as a natural reserve but also as a social space that connects people with the environment. Its beauty and ecological importance make it a symbol of Aveiro’s natural heritage and a destination for those seeking both relaxation and contact with nature.
See more at Pateira de Fermentelos - Wikipedia.
Photograph by Carla Valongo distributed under a CC-BY 4.0 license.

Ílhavo

Pateira de Fermentelos → Museu Marítimo de Ílhavo
Driving route between Pateira de Fermentelos and Museu Marítimo de Ílhavo.

Maritime Museum of Ílhavo
The Maritime Museum of Ílhavo, located near Aveiro, is a striking modernist building designed by architects Nuno and José Mateus and remodeled in 2001.

Originally founded in 1937, the museum was reimagined into a contemporary space that won the Mies van der Rohe Prize for Architecture in 2003. Its design is considered one of the most spectacular museum projects in Europe, blending bold architecture with deep cultural heritage. The museum’s permanent exhibitions highlight Ílhavo’s strong maritime traditions, particularly cod fishing in the icy waters of Newfoundland and Greenland, and the close relationship between the local community and the sea. Visitors can explore the Ria Room, dedicated to traditional boats of the Aveiro lagoon, and the Codfish Fishing Room, which includes a life-size replica of a fishing vessel.
Beyond its exhibitions, the museum houses Portugal’s first Codfish Aquarium, where visitors can observe live codfish species, offering a unique complement to the historical displays. It also manages the Santo André Ship Museum, a decommissioned trawler that provides insight into life aboard a cod fishing vessel. The museum’s collections extend to ethnographic artifacts, shipbuilding tools, and the country’s largest shell collection, making it both a cultural and scientific institution. By combining architectural innovation with maritime heritage, the Maritime Museum of Ílhavo stands as a landmark that preserves and celebrates Portugal’s enduring connection to the sea.
See more at Museu Marítimo de Ílhavo - Wikipedia.
Photograph by CardosoSousa1988 distributed under a CC-BY 4.0 license.

Museu Marítimo de Ílhavo → Museu Vista Alegre
Driving route between Museu Marítimo de Ílhavo and Museu Vista Alegre.

Vista Alegre

Vista Alegre Museum
The Vista Alegre Museum, located in Ílhavo near Aveiro, is dedicated to preserving and showcasing the history of the renowned Vista Alegre porcelain factory, founded in 1824.

The museum was first opened to the public in 1964 and underwent significant renovations between 2014 and 2016, expanding its exhibition spaces and integrating historic factory ovens into its reception area. It presents over two centuries of porcelain production, displaying early glass and crystal pieces, unglazed ceramics from the 1820s, and the first porcelain attempts in the 1830s. Visitors can explore collections that include services from the factory’s golden era, commemorative works, and collaborations with artists, reflecting both Portuguese craftsmanship and international artistic trends.
Beyond its collections, the museum is part of a larger cultural and industrial heritage site that includes the Vista Alegre Chapel, the workers’ quarter, and the factory’s manual painting workshop. This integration allows visitors to experience not only the artistic evolution of porcelain but also the social and industrial context in which it was produced. The museum has received recognition such as the APOM awards and is a member of the European Route of Industrial Heritage, affirming its importance as a cultural institution. Today, the Vista Alegre Museum stands as a living testimony to Portuguese porcelain excellence, combining tradition, innovation, and heritage in a unique environment.
See more at Vista Alegre (company) - Wikipedia.
Photograph by CardosoSousa1988 distributed under a CC-BY 4.0 license.

Museu Vista Alegre → Praia da Vagueira
Driving route between Museu Vista Alegre and Praia da Vagueira.

Vagos

Vagueira beach
Praia da Vagueira, located in the municipality of Vagos in the Aveiro district, is one of the most popular beaches in the region.

Known for its extensive sandy shoreline and surrounding dunes, it offers a mix of natural beauty and cultural heritage. The beach is particularly famous for the traditional fishing technique called Arte Xávega, where fishermen launch boats into the sea and haul nets back to shore, a practice that has been part of the local identity since the 19th century. Visitors can witness this unique spectacle and enjoy freshly caught fish, making the beach not only a leisure destination but also a living cultural experience. Its calm waters and wide sandy area make it suitable for families, while the wooden walkways and facilities provide easy access and comfort.
Beyond its fishing traditions, Praia da Vagueira is also valued for its scenic environment, combining agricultural landscapes with coastal views. The beach is protected by rocky zones that help preserve the sand and maintain its natural character. Small fishermen’s houses along the shore add to its charm, while the surrounding vegetation and dunes create a picturesque setting for walks and relaxation. As part of the Centro de Portugal tourism region, Praia da Vagueira stands out as a destination where tradition, nature, and recreation coexist harmoniously, offering visitors both cultural immersion and seaside enjoyment.
See more at Vagos (freguesia) - Wikipedia.
Photograph by Slidetom distributed under a CC-BY 4.0 license.

Arte Xávega
Arte Xávega is a traditional fishing practice deeply rooted in the coastal culture of Aveiro, dating back to the mid‑18th century when the first fishing companies were formed in 1751.

The technique involves launching boats from the beach to cast large nets several kilometers offshore, then hauling them back to land with the help of ropes. Historically, oxen were used to pull the nets, but today tractors often assist in the process. The nets are designed with long wings and a central bag where fish are trapped, making this a collective and labor‑intensive activity. It has long been a source of livelihood for local communities, shaping their identity and sustaining families through generations.
Beyond its economic role, Arte Xávega has become a cultural spectacle and a living heritage in Aveiro’s coastal towns such as Torreira, Vagueira, and Areão. Visitors can watch fishermen working together to drag the nets ashore, often joining in the effort and receiving fresh fish as a reward. This communal aspect highlights the social bonds created around the practice, while also preserving a centuries‑old tradition in modern times. Although less common today due to industrial fishing and regulatory challenges, Arte Xávega remains a symbol of resilience and cultural pride, celebrated as part of Aveiro’s intangible heritage.
See more at Xávega - Wikipedia.
Photograph by Patrick Catana Gnudi, distributed under a CC-BY 3.0 license.

Praia da Vagueira → Costa Nova
Driving route between Praia da Vagueira and Costa Nova.

Costa Nova

Costa Nova do Prado
Costa Nova do Prado, often simply called Costa Nova, is a seaside resort town in the municipality of Ílhavo, Aveiro.

It emerged in the early 19th century following the opening of the Aveiro lagoon’s bar in 1808, which allowed for greater maritime activity. The area became known for its fishing community and distinctive wooden houses, called palheiros, originally used to store fishing equipment. Over time, these houses were painted with colorful vertical stripes, creating the iconic image that today defines Costa Nova’s identity. The beach itself is wide and sandy, facing the Atlantic Ocean, while the lagoon side offers calmer waters, making the location a natural amphitheater for both fishing and nautical sports.
Today, Costa Nova is a popular tourist destination, celebrated for its blend of tradition and leisure. It has been awarded the Blue Flag since 1989 and recognized as a “Praia Acessível, Praia para Todos” since 2002, ensuring accessibility for all visitors. The town is also known for its vibrant fish market, seafood restaurants, and the regional sweet known as tripa. Wooden walkways, cycling paths, and outdoor sports facilities enhance its appeal as a recreational hub. With its colorful architecture, rich fishing heritage, and scenic setting between the Atlantic Ocean and the Ria de Aveiro, Costa Nova do Prado stands out as one of Portugal’s most picturesque coastal destinations.
See more at Costa Nova do Prado - Wikipedia.
Photograph by manuelfouce & anaramos distributed under a CC-BY 2.0 license.

Barra

Lighthouse of Praia da Barra
The Lighthouse of Praia da Barra, also known as Farol da Barra or Farol de Aveiro, is the tallest lighthouse in Portugal and one of the tallest in Europe, standing at 62 meters high with a focal height of 66 meters above sea level.

Constructed between 1879 and 1893, it was built to address the frequent shipwrecks along the coast between Cape Mondego and the Douro River bar, where the absence of light signals made navigation hazardous. Its cylindrical stone tower, painted with red and white bands, is topped with a red lantern and equipped with a third-order Fresnel lens. The lighthouse has a range of 23 nautical miles and has been automated since 1990, though it remains under the care of the Directorate for Lighthouses.
Located at the entrance of the Aveiro Lagoon in Gafanha da Nazaré, Ílhavo, the lighthouse continues to play a vital role in coastal navigation while also serving as a cultural landmark. Visitors can climb its 288 steps to reach the top, where panoramic views stretch across the Ria de Aveiro, Costa Nova, Barra, São Jacinto beaches, and the harbor areas. Open to the public on Wednesdays, it offers a unique opportunity to experience both maritime heritage and breathtaking scenery. The lighthouse not only symbolizes safety for seafarers but also stands as an emblem of Aveiro’s strong connection to the sea and its coastal traditions.
See more at Lighthouse of Praia da Barra - Wikipedia.
Photographs by Vitor Oliveira distributed under a CC-BY 2.0 license.

Lighthouse of Praia da Barra → Ship Museum Santo André
Driving route between Lighthouse of Praia da Barra and Ship Museum Santo André.

Ship Museum Santo André
The Ship Museum Santo André is a former codfishing trawler built in 1948 in the Netherlands for the Empresa de Pesca de Aveiro.

Measuring over 71 meters in length, it was considered modern for its time, with a hold capable of storing around 2,000 tons of fish. The vessel operated from 1949 until 1997, sailing to the icy waters of Newfoundland and Greenland in search of cod, a staple of Portuguese cuisine. After being retired, it was transformed into a museum in 2001 by the Municipality of Ílhavo and its owners, preserving the memory of the crews who worked aboard and the traditions of Portugal’s cod fishing industry.
Today, the Santo André Ship Museum is moored at Jardim Oudinot in Gafanha da Nazaré, near Aveiro, and serves as an extension of the Maritime Museum of Ílhavo. Visitors can explore its galley, dormitories, captain’s quarters, and engine room, gaining insight into the daily life and hardships of fishermen at sea. The museum illustrates the techniques of trawling and the importance of cod to Portuguese culture, while also functioning as a tribute to the resilience of the fishing communities of Ílhavo. It stands as both a cultural landmark and a living testimony to the maritime heritage of the Aveiro region.
See more at Santo André (navio pesqueiro) - Wikipedia.
Photograph by Vitor Oliveira distributed under a CC-BY 2.0 license.

Ship Museum Santo André → Aveiro Salt Flats
Driving route between Ship Museum Santo André and Aveiro Salt Flats.

Aveiro Salt Flats
The Aveiro Salt Flats, known locally as Salinas de Aveiro, are a centuries‑old salt production area in the Ria de Aveiro, once considered one of the most important economic activities in the region.

Historical records show that salt extraction here predates the foundation of Portugal itself, with Aveiro’s salt traded widely across northern Europe from the 15th century onward. The process relies on the natural elements of sun, wind, and seawater, carefully managed by skilled workers called marnotos, who maintain the ponds and harvest the salt. A pivotal moment in their history came in 1808 with the construction of a new bar that allowed seawater to enter more effectively, boosting productivity and ensuring the survival of this tradition.
Today, the salt flats are both a cultural and ecological attraction, blending heritage with tourism. Sites such as the Troncalhada Eco‑Museum preserve artisanal methods and showcase the characteristic landscape of ponds, flora, and fauna. Visitors can take guided tours to learn about the techniques, tools, and traditions of salt harvesting, and even experience salt baths in pools whose high salinity allows floating similar to the Dead Sea. The Aveiro Salt Flats thus remain a living testimony to the city’s maritime and commercial past, while offering modern visitors a chance to connect with nature and history in a unique environment.
See more at Salinas de Aveiro - Wikipedia.
Photograph by ines saraiva, distributed under a CC-BY 2.0 license.

Aveiro Salt Flats → Largo do Mercado
Driving route between Aveiro Salt Flats and Largo do Mercado.

Aveiro

Mercado do Peixe Restaurant
One of the most emblematic restaurants inside the Fish Market of Aveiro is Mercado Peixe, located at Largo da Praça do Peixe.

This establishment is directly connected to the market’s atmosphere, offering a privileged view of the bustling stalls and the daily rhythm of local commerce. Known for its traditional Portuguese cuisine, the restaurant specializes in fresh fish and seafood dishes such as lamprey, eel stew, and grilled salmon. Visitors often praise the quality of the ingredients, which come straight from the market itself, ensuring authenticity and freshness. The interior is simple yet welcoming, with a homely décor that reflects its roots in Aveiro’s fishing culture.
Mercado Peixe also stands out for its desserts and drinks, with options like chocolate mousse, cheesecake, and regional cakes, complemented by good wine and sangria. The service is described as patient and attentive, contributing to a relaxed dining experience. Prices are considered fair, making it accessible to both locals and tourists. Although the restaurant has at times faced closures, it remains a reference point for those wanting to taste Aveiro’s seafood traditions in a genuine setting. Dining here is not just about the food but about immersing oneself in the cultural heart of the city, where the market and the restaurant together embody Aveiro’s maritime heritage.
See more at Largo da Praça do Peixe - Wikipedia.
Photograph by Turismo En Portugal, distributed under a CC-BY 2.0 license.

Suggested Car Tour

Suggested Car Tour Map

Where to Stay in Aveiro

Hotels Map

Where to Eat in Aveiro

Restaurants Map

🍽️ Local Culinary Traditions

🥖	Bread Broa de milho (corn bread), often served with fish or meat dishes
🍲	Soups Caldo verde (kale and potato soup) Fish-based soups such as sopa de peixe
🦞	Seafood Eel stew (ensopado de enguias) Ray fish in sauce Clams from the Ria de Aveiro
🐟	Fish Dishes Bacalhau à lagareiro (cod baked with olive oil and potatoes) Caldeirada de peixe (fish stew) Grilled sardines
🍗	Meat Dishes Leitão da Bairrada (roast suckling pig, popular in the Aveiro district) Chanfana (goat stew in red wine)
🍰	Sweets 🏅 Ovos moles de Aveiro (egg yolk and sugar in wafer shells) Tripas de Aveiro (stuffed crepes) Pão-de-ló (sponge cake)
🍷	Wine Bairrada wines (notably sparkling wines and reds from nearby vineyards), often paired with leitão